Sixpence None The Richer

Sixpence None the Richer began in New Braunfels, Texas when guitarist Matt Slocum met vocalist Leigh Nash at a church retreat in the early 90’s. Their debut LP, The Fatherless & the Widow, appeared in 1993 and was followed by their Dove Award winning sophomore effort, 1995’s This Beautiful Mess. After the success of that album, Tickets For A Prayer Wheel – featuring B-sides, original compositions and cover songs – was released in 1996.
Signing to the small indie label Squint Entertainment In 1997, the band released their self-titled album featuring the hit single Kiss Me. Universally adored and responsible for catapulting the band into world-wide mainstream success, the song has been and continues to be featured in countless movies, tv shows, soundtracks, and commercials. To celebrate the albums 25th Anniversary, Curb Records re-released this record as a collectible vinyl series in early 2024. The double album features remastered original album tracks, acoustic versions of their biggest hits (Kiss Me and There She Goes), and The Tide, a new song by Leigh Nash and Sixpence currently with over 2 Million views and streams across platforms.
Reuniting as a band in early 2024 with original members Leigh Nash, Matt Slocum, Dale Baker, and Justin Cary, Sixpence None the Richer looks forward to creating new music, touring the world and engaging with their loyal and diverse, multigenerational fan base.

Read More

Wilson Phillips

Wilson Phillips, the iconic vocal trio, emerged in 1990 with a harmony-rich sound that propelled three of their debut album singles – “Hold On,” “Release Me,” and “You’re in Love” – to the top of the Billboard charts. The trio consisted of Carnie Wilson, Wendy Wilson, and Chynna Phillips. Carnie and Wendy Wilson, daughters of Beach Boy bandleader Brian Wilson, had a musical upbringing appearing on their father’s albums. Chynna Phillips, with parents John and Michelle Phillips of the Mamas & the Papas, joined forces with the Wilson sisters after a failed charity record project, forming Wilson Phillips.
From the beginning, Wilson Phillips leveraged their connections in the music industry, collaborating with producer Richard Perry in their formative years and working with songwriter Glen Ballard on many of their hits. They secured a deal with SBK Records in 1989 and released their self-titled debut album in 1990, blending adult contemporary ballads with pop/rock. Despite facing criticism for their content, the album was a Grammy-nominated success with multiple chart-topping singles. However, their follow-up album, ‘Shadows & Light’ in 1992, marked the beginning of a decline for the trio, leading to a breakup in the following year.
After Wilson Phillips disbanded, the members pursued individual endeavors; Chynna Phillips launched a solo career, Carnie Wilson ventured into hosting, and the Wilson sisters collaborated with their father on various projects. In 2003, the trio reunited to record ‘California,’ a covers album that showcased their unique interpretations of songs by the Eagles and Fleetwood Mac. Subsequent reunions in 2008 and 2010 resulted in live performances and a holiday-themed album, ‘Christmas in Harmony.’ In 2012, marking their 20th anniversary, Wilson Phillips paid tribute to the Beach Boys and the Mamas & the Papas with the release of ‘Dedicated,’ highlighting their enduring musical legacy.

Read More

Tracy Chapman

A gifted storyteller with enduring appeal, Tracy Chapman’s unexpected ascent from the Boston folk scene to mainstream popularity in the late 1980s proved pivotal in helping restore singer/songwriters to the spotlight. Delivered with an earthy grace, her simple melodies and affecting, often socially conscious lyrics resonated with fans around the globe, who helped turn her eponymous 1988 debut into a Grammy-winning multi-platinum success. Seemingly averse to commercial whims, Chapman has managed to avoid the pitfalls of trendiness, building on early hits like “Fast Car” and 1996’s bluesy “Give Me One Reason” with a durable catalog that plays to the strength of her craft and convictions. Throughout the 2000s, her fan base remained strong on both sides of the Atlantic with albums like Let It Rain and Where You Live as well as a foray into composing for theater. While her studio output has remained scant since 2008’s Grammy-nominated Our Bright Future, Chapman has continued to perform, and in 2015 sang an evocative rendition of Ben E. King’s classic “Stand by Me” on one of the final episodes of Late Night with David Letterman that became a viral hit. A Greatest Hits compilation was released that same year.
Raised in a working-class neighborhood in Cleveland, Ohio, Chapman learned how to play guitar as a child, and began to write her own songs shortly afterward. Following high school, she won a minority placement scholarship and decided to attend Tufts University, where she studied anthropology and African studies. While at Tufts, she became fascinated with folk-rock and singer/songwriters, and began performing her own songs at coffeehouses. Eventually, she recorded a set of demos at the college radio station. One of her fellow students, Brian Koppelman, heard Chapman play and recommended her to his father, Charles Koppelman, who ran SBK Publishing. In 1986, she signed with SBK and Koppelman secured a management contract with Elliot Roberts, who had worked with Neil Young and Joni Mitchell. Roberts and Koppelman helped Chapman sign to Elektra in 1987.
Chapman recorded her debut album with David Kershenbaum, and the resulting eponymous record was released in the spring of 1988. Tracy Chapman was greeted with enthusiastic reviews, and she set out on the road supporting 10,000 Maniacs. Within a few months, she played at the internationally televised concert for Nelson Mandela’s 70th birthday party, where her performance was greeted with thunderous applause. Soon, the single “Fast Car” began climbing the charts, eventually peaking at number six. The album’s sales soared along with the single, and by the end of the year, the record had gone multi-platinum. Early the following year, the album won four Grammys, including Best New Artist.

Read More

Don Henley

Don Henley anchored the Eagles as the band’s drummer, frequent frontman, and co-leader. He wrote and sang many of their biggest songs — Hotel California, Desperado, The Long Run, Best of My Love, Life in the Fast Lane, One of These Nights were among his signatures, classic rock staples all — but he also found considerable success on his own in the ’80s following the group’s disbandment. He established a distinctive, flinty voice right out the gate with Dirty Laundry, the Top 10 hit from his 1982 solo debut I Can’t Stand Still, but 1984’s Building the Perfect Beast was a blockbuster, aided by the chilly, stylish MTV hit Boys of Summer. Three other singles were pulled from the record — the Top 10 All She Wants to Do Is Dance, followed by the Top 40 Not Enough Love in the World and Sunset Grill, all arriving in 1985 — and he then labored on his third record, 1989’s The End of the Innocence. Although this didn’t have as many Top 40 hits — the title track reached eight, followed by The Last Worthless Evening and The Heart of the Matter, both peaking at 21 — it was a bigger hit, going platinum six times, but after it ran its cycle, Henley decided to turn his attention to reuniting the Eagles in 1994, a project that kept him busy off and on for the next two years. His solo albums slowed — he released Inside Job in 2000, 11 years after The End of the Innocence, and then took 15 years to record Cass County, his return to country-rock roots — but he was never out of the spotlight thanks to ongoing work from the Eagles.
Born on July 22, 1947 in Gilmer, Texas, Don Henley was raised in Linden, a small town in Cass County, Texas. His parents — his WWII veteran father ran an auto parts business, his mother taught — instilled a love of music into him at an early age but despite having some piano lessons, he didn’t take to playing music as a child. Henley instead was drawn to football and he played into high school, when he suffered an injury that led him to switch over to the marching band. There, he picked up drums and he took to it quickly, next playing in a group called the Four Speeds with his guitarist friend Richard Bowden. Soon, the band switched its name to Shiloh and the group was a going concern throughout high school but Henley put his music career on the back burner once he attended college. He spent a year at Stephen F. Austin University before transferring to North Texas State University, where he was an English literature major. Henley spent three semesters at North Texas State before returning home to Linden to attend to his ailing father and, while he was there, he began playing with Shiloh again. In 1968, Kenny Rogers — who was then riding high after the Top 10 success of 1967’s Just Dropped In (To See What Condition My Condition Was In) — caught a Shiloh show and encouraged the band to head out to Los Angeles to take a shot at the big time.
Once out in Los Angeles, Shiloh recorded an eponymous album for the independent imprint Amos in 1970, but the bigger breakthrough for Henley arrived when he met guitarist Glenn Frey, a native of Royal Oak, Michigan who had also recently relocated to L.A. and released an album on Amos. Singer Linda Ronstadt contracted Frey to assemble a touring band, so he asked Henley to join him, along with guitarist Bernie Leadon and bassist Randy Meisner, and this quartet supported the singer just once — at a July 1971 show at Disneyland — but they did back Ronstadt on her self-titled 1972 album. Before that album was released, this quartet became the Eagles, signing a deal with David Geffen’s Asylum Records.

Read More

Donna Lewis

Donna Lewis, a celebrated chanteuse and songwriter, rose to fame with the dance-pop classic “I Love You Always Forever.” Her signature breathy voice captured the hearts of people worldwide, who still hold boundless love for the smash-hit song. Hailing from Wales, Donna Lewis is a multi-dimensional artist comfortable with various genres including catchy pop tunes, jazz, acoustic, electronica, and more. Atlantic Records recognized her talent immediately, offering her a deal on the spot after hearing her demo for “I Love You Always Forever.” This iconic song made history as the first to receive a million spins on American radio and became the third best-selling tune in Atlantic Records’ history, achieving international success on music charts globally.
Donna Lewis had long planned to release a new version of ‘I Love You Always Forever’ for its 25th anniversary. Despite delays caused by a pandemic lockdown, she partnered with Digital Farm Animals to create a fresh take on the classic. The collaboration with Digital Farm Animals resulted in the 2023 version titled ‘ILYAF (I Love You Always Forever),’ showcasing the genius of both artists and a deep appreciation for the original song. The new rendition is a testament to Donna Lewis’s enduring talent and the timeless appeal of her music.

Read More

Hoobastank

Sometimes even a multi-platinum band with three GRAMMY nominations under their belt needs the kind of pop talk which helped inspire Hoobastank’s 6th studio album. PUSH PULL finds Hoobastank exploring both rock and pop songwriting with a renewed vigor. The band partnered with producer Matt Wallace (Faith No More, Maroon 5). As a result, PUSH PULL nails the group’s underappreciated sweet spot – large-scale, muscular ‘80s-‘90s alternative rock of U2, Duran Duran and even Tears for Fears, whose “Heads Over Heels” gets a brawny, Bowiesque take on the album. Hoobastank approached PUSH PULL with the swagger and confidence of a band whose first three albums all went either gold, platinum or multi-platinum. “The Reason” garnered GRAMMY nominations for “Song of the Year,” “Best Rock Album” and “Best Pop Performance” for a Duo…

Read More

Fleetwood Mac

Fleetwood Mac are a British-American rock band formed in London in 1967 by guitarist and singer Peter Green. Green recruited drummer Mick Fleetwood, guitarist and singer Jeremy Spencer and bassist Bob Brunning, with John McVie replacing Brunning a few weeks after the band’s first public appearance at the 1967 National Jazz & Blues Festival in Windsor. The band became a five-piece in 1968 with the addition of guitarist and singer Danny Kirwan. Primarily a British blues band in their early years, Fleetwood Mac achieved a UK number-one single in 1968 with the instrumental ‘Albatross’, and had other UK top ten hits with ‘Man of the World’, ‘Oh Well’ (both 1969), and ‘The Green Manalishi (With the Two Prong Crown)’ (1970). Green left the band in May 1970, and Spencer and Kirwan also left in 1971 and 1972 respectively. By the end of 1974, the band was without a guitarist or male vocalist.
While scouting studios in Los Angeles, Mick Fleetwood discovered the American folk-rock duo Buckingham Nicks, consisting of Lindsey Buckingham and Stevie Nicks. He invited Buckingham to join Fleetwood Mac, under the condition that Nicks could also become a member. The addition of Buckingham and Nicks transformed the band’s sound to a more pop rock style. Their album ‘Fleetwood Mac’ in 1975 reached the top of the Billboard 200 chart. The iconic ‘Rumours’ album in 1977 produced multiple top 10 singles, won a Grammy Award for Album of the Year in 1978, and sold over 40 million copies worldwide. Despite personal breakups within the band during the recording, Fleetwood Mac continued their success and stable line-up through several studio albums.
However, by the late 1980s, the band faced internal challenges leading to lineup changes. After Lindsey Buckingham’s departure in 1987, Fleetwood Mac welcomed Billy Burnette and Rick Vito, before Nicks also left in 1990. A significant reunion occurred in 1993 during President Bill Clinton’s inauguration, and a full-scale reunion took place four years later resulting in the release of ‘The Dance’ in 1997. Christine McVie rejoined the band in 2014 for the ‘On With the Show Tour’. Subsequently, changes continued with Buckingham’s replacement by Mike Campbell and Neil Finn in 2018. Fleetwood Mac’s enduring legacy includes over 120 million records sold worldwide, numerous accolades such as a star on the Hollywood Walk of Fame, induction into the Rock and Roll Hall of Fame, and the Brit Award for Outstanding Contribution to Music.

Read More

Genesis

Genesis were an English rock band formed at Charterhouse School, Godalming, Surrey, in 1967. The band’s longest-existing and most commercially successful line-up consisted of keyboardist Tony Banks, bassist/guitarist Mike Rutherford and drummer/singer Phil Collins. In the 1970s, during which the band also included singer Peter Gabriel and guitarist Steve Hackett, Genesis were among the pioneers of progressive rock. The group were formed by five Charterhouse pupils, including Banks, Rutherford, Gabriel and guitarist Anthony Phillips, and named by former Charterhouse pupil and pop impresario Jonathan King, who arranged for them to record several singles and their debut album From Genesis to Revelation in 1969. After splitting from King, the band began touring, signed with Charisma Records and became a progressive rock band on Trespass (1970). Phillips departed after the album’s recording, with Banks, Rutherford and Gabriel recruiting Collins and Hackett before recording Nursery Cryme (1971). Their live shows began to feature Gabriel’s theatrical costumes and performances. Foxtrot (1972) was their first charting album in the UK and Selling England by the Pound (1973) reached number three, featuring their first UK hit “I Know What I Like (In Your Wardrobe)”. The concept album The Lamb Lies Down on Broadway (1974) was promoted with a transatlantic tour and an elaborate stage show, before Gabriel left the group.
Collins took over as lead singer, and as a four-piece the group released A Trick of the Tail and Wind & Wuthering (both 1976) with continued success. Hackett left Genesis in 1977, reducing the band to a three-piece of Banks, Rutherford and Collins. Their ninth studio album, …And Then There Were Three… (1978), contained the band’s first major hit “Follow You Follow Me”. Their next five studio albums – Duke (1980), Abacab (1981), Genesis (1983), Invisible Touch (1986) and We Can’t Dance (1991) – were also successful. Collins left Genesis in 1996, and Banks and Rutherford replaced him with singer Ray Wilson, who appeared on their final studio album Calling All Stations (1997). The disappointing commercial and critical reaction to the album led the group to disband. Banks, Rutherford and Collins reunited for the Turn It On Again Tour in 2007 and again in 2021 for The Last Domino? Tour. With between 100 million and 150 million albums sold worldwide, Genesis are one of the world’s best-selling music artists. Their discography includes 15 studio and 6 live albums. They have won numerous awards (including a Grammy Award for Best Concept Music Video with “Land of Confusion”) and have inspired a number of tribute bands recreating Genesis shows from various stages of the band’s career. In 2010, Genesis were inducted into the Rock and Roll Hall of Fame.

Read More

The Calling

After two decades of anticipation, The Calling emerges from the shadows, ready to reclaim their place in the hearts of music lovers worldwide. Formed in 1999, The Calling quickly ascended the ranks of radio rock with their distinctive blend of catchy melodies and heartfelt lyrics. Their debut album Camino Palmero sold more than 10 million copies worldwide and went Platinum in the U.S. and 50+ countries, catapulting the teen rockers to international fame with hits like ‘Wherever You Will Go’ and ‘Adrienne,’ while touting 7 number one singles worldwide.
After a 20-year hiatus, The Calling returns to the forefront of the music scene, poised to captivate listeners once again. With a renewed sense of purpose and creativity, the band is set to unveil their long-awaited new music, promising a sonic journey that will resonate deeply with both loyal fans and newcomers alike. Driven by the powerful, distinct vocals of Alex Band and the masterful instrumentation of guitarist Daniel Damico and Grammy nominated bassist Dom Liberati, The Calling’s comeback is nothing short of extraordinary. Each note and lyric carries the weight of two decades of growth and experience, resulting in a musical tapestry that is both timeless and contemporary.
The Calling invites you to join them on a journey filled with passion, resilience, and the unbreakable bond between artist and audience. With their signature sound echoing once again, The Calling proves that some things only get better with time.

Read More

Men At Work

Men at Work, the iconic band from Australia, emerged as a major success story during the new wave era in 1982. With their Police-styled rhythms, infectious guitar hooks, soulful saxophones, and quirky humor, Men at Work’s debut album, Business as Usual, made history as an international sensation. It shattered records in America with the longest time spent by a debut album at the number one spot on the charts. Their humorous and innovative music videos quickly became MTV favorites, propelling hits like “Who Can It Be Now?” and “Down Under” to the number one position. The band’s momentum carried them through their second album, Cargo, in 1983, before facing a decline in popularity leading to their disbandment after Two Hearts in 1985.
Colin Hay, the lead vocalist and guitarist, originally from Scotland, migrated to Australia as a teenager and co-founded Men at Work as an unplugged duo with Ron Strykert on guitar and vocals in Melbourne in 1978. The group expanded to include John Rees on bass, Greg Ham handling saxophone, flute, and keyboards, and Jerry Speiser on drums. A regular fixture at the Cricketer’s Arms Hotel bar and Australia’s pub circuit, Men at Work quickly rose to become the highest-paid unsigned band in the country. By 1981, they secured a contract with Australian Columbia and released their breakthrough single, “Who Can It Be Now?”, followed by the chart-topping album, Business as Usual, in 1982. The album’s massive success in Australia was replicated in the US, where it dominated the charts, aided by hits like “Down Under.” Men at Work’s second album, Cargo, penned mostly by Colin Hay, further solidified their position with hits like “Overkill” and “It’s a Mistak…

Read More

Plain White T’s

Since emerging in 1997, Chicago quartet Plain White T’s — Tom Higgenson [vocals], Tim Lopez [lead guitar, vocals], Mike Retondo [bass], and De’mar Hamilton [drums] — have remained visible and viable. They have consistently delivered unforgettable pop rock anthems that take up real estate in your brain for months at a time. They have amassed over 2.7 billion total global streams, earned two Grammy nominations, and collected several Platinum-plus and Gold certifications across their impressive catalog. Their signature single ‘Hey There Delilah’ went quadruple-platinum, topped the Billboard Hot 100, and earned the pair of aforementioned GRAMMY® nominations in 2008 — for ‘Song of the Year’ and ‘Best Pop Performance by a Duo or Group with Vocal.’ They have made their pop culture mark by appearing on highly visible shows such as the Macy’s Thanksgiving Day Parade, Sesame Street, iCarly, 90210, Beavis & Butthead, and Frankenweenie, all the while nabbing press accolades from TIME, Billboard, ESPN, Rolling Stone, AV Club, MTV, MSNBC, and more. Plain White T’s have proven to be a reliable musical force, as well as a career band that shows no signs of stopping or slowing down. Their new self-titled album is out via longtime label Fearless Records November 2023.

Read More