Norman Brown
Norman Brown is a renowned guitarist known for his enchanting and romantic style that harmoniously blends contemporary jazz and R&B. His musical journey took off with the release of his album ‘Just Between Us’ in 1992, drawing parallels to legendary artists like George Benson and Wes Montgomery. Over the years, Norman has consistently topped the Billboard’s Contemporary Jazz Albums chart with albums such as ‘After the Storm’ (1994), the Grammy-winning ‘Just Chillin” (2002), and ’24/7’ (2012) featuring Gerald Albright. His albums ‘Let It Go’ (2017) and ‘Highest Act of Love’ (2019) both secured the number one spot on the chart. Apart from his solo career, Norman is a part of the supergroup BWB alongside Kirk Whalum and Rick Braun, enriching the smooth jazz scene with their collaborative efforts.
Born in 1970 in Shreveport, Louisiana and raised in Kansas City, Norman Brown’s fascination with the guitar began at a young age, inspired by his brother’s acoustic six-string. Influenced by icons like Jimi Hendrix and the Isley Brothers initially, it was Wes Montgomery who truly captivated him and led him into the world of contemporary jazz. After formal music education in Los Angeles, Norman’s debut album ‘Just Between Us’ under Motown’s Mo Jazz label marked his entry into the soul-jazz genre, earning accolades and comparisons to jazz greats like George Benson and Wes Montgomery.
His sophomore album ‘After the Storm’ in 1996 propelled Norman Brown to the forefront of smooth jazz, receiving acclaim as Jazz Album of the Year. Subsequent releases like ‘Better Days Ahead’ and ‘Celebration’ under Warner Bros. showcased his exemplary talent, with ‘Just Chillin” bagging a Grammy Award in 2002. Norman’s collaborations with BWB on ‘Groovin” and solo works like ‘West Coast Coolin” and ‘Stay with Me’ established him as a key figure in contemporary jazz. His consistent success continued with albums like ‘Sending My Love’ (2010) and ’24/7′ with Gerald Albright, reaffirming his status as a versatile and influential guitarist in the jazz landscape.
Chris Tomlin
From his rural Texas roots, cutting his chops on his father’s Country-Western record collection, to the small Baptist church where he was first compelled by congregational singing, and now in his current position as the definitive worship leader for the worldwide church, Chris Tomlin has always been motivated to provide spiritual seekers a voice to talk with God through music. “Even as a kid, when I played at church, I loved the sound of people singing,” Chris says, remembering his first impressions of hearing his home congregation raise the roof in praise. “I had no clue I would become a worship leader. I just loved to play music that people could sing with, and I loved it when people would sing to God.”
Fast-forward thirty years and the artist whose humble demeanor suggests music is as much his heart’s calling as a heady career has sold millions of albums, streamed billions of tracks, spawned 16 #1 radio singles and been awarded with multiple RIAA Gold and Platinum certifications, and a list of Grammy, Dove, Billboard Music and American Music Awards. Touted by TIME Magazine as “the most often sung artist anywhere,” on any given Sunday tens of millions of people in churches across the globe sing songs from Chris’ rich, worship-focused catalog. Consistently ranking in the Top 20 of the CCLI Top 100 chart years after initial release, his benchmark anthems include “At the Cross (Love Ran Red),” “Our God” and “How Great is our God” – one of the fastest rising modern day hymns in CCLI chart history. His latest #1 single-turned-corporately sung staple, “Good, Good Father,” was RIAA certified Gold after spending 15 weeks atop the Billboard Top Christian Tracks Chart.
Further cementing the profound impact of his widely sung songs, Chris joined Garth Brooks, Justin Timberlake and Pitbull as the fourth artist in digital music history to receive the prestigious Sound Exchange Digital Radio Award for over 1 billion digital radio streams. Affirming his lifetime calling to “write songs that help people worship God,” Chris continues to evolve in his musical leadership role for the nation with the recent inauguration of Worship Night in America events – unifying the church through an evening of worship through music and prayer. Over the last few years, live Worship Night in America events have sold out historic venues like New York City’s Madison Square Garden and Denver’s Red Rocks Amphitheatre, and last year’s nationwide theatricast sold over 60,000 tickets to viewings on more than 440 screens. “The church has been leading with politics for too long,” Chris opines. “The church’s place in the world is to lead with prayer. And one of music’s roles is to help us see more clearly through the fogginess of current events.” “Worship is much more about seeing than it is singing. Worship opens our eyes and helps us see the truth in our faith.” -Andrew Greer
Betty Wright
Betty Wright, the legendary artist, is best known for her iconic songs like “Clean Up Woman” (1971) and “Where Is the Love” (1975) which were massive hits in the ’70s. However, her illustrious career spans over six decades, showcasing her extraordinary talent and versatility. Known as a powerhouse and a songbird, Betty Wright captivated audiences with her unique blend of church-reared grit and mesmerizing whistle register. Not only was she a phenomenal singer, but also a gifted songwriter, producer, and arranger who contributed significantly to her own music as well as supporting artists. Wright’s Grammy-nominated recordings, spanning 40 years from classics like “Clean Up Woman” to “Surrender” from her final album in 2011, cemented her legacy in the music industry. She played a pivotal role behind the scenes, influencing artists such as Joss Stone, Lil Wayne, and DJ Khaled, who credited her as a mentor influential in their musical journey.
Born as Bessie Regina Norris in Miami, Betty Wright’s musical journey began at a young age when she started singing with her siblings in the gospel group Echoes of Joy. Transitioning to secular music at 13, she released her first singles, setting the stage for a remarkable career ahead. Signing with the Alston label, Wright achieved early success with hits like “Girls Can’t Do What the Guys Do” and later reached new heights with chart-topping singles like “Clean Up Woman.” Throughout the ’70s, she released several acclaimed albums, with standout performances in albums like Hard to Stop, Danger High Voltage, and Betty Wright Live. As her career flourished, Wright’s talent as a storyteller and performer shone through, earning her accolades like a Grammy for Best Rhythm & Blues Song for “Where Is the Love.” Her influence extended beyond her own music, as she co-wrote and produced songs for various artists, leaving an indelible mark on the music landscape.
In the ’80s and ’90s, Betty Wright continued to make waves in the music industry, consistently delivering hits on the R&B chart. Collaborations with artists like Stevie Wonder and successful singles like “No Pain, No Gain” highlighted her enduring talent and relevance. Transitioning to new phases in her career, she established her own label, Ms. B, and embarked on creative partnerships that further showcased her songwriting prowess. Noteworthy for her impactful work, Wright’s music found resonance across genres and eras, with her classics and deep cuts being sampled in various modern hits. As she navigated through the 2000s, Wright’s musical journey remained vibrant with solo projects and collaborations with artists like Erykah Badu, Joss Stone, and Trick Daddy. Her legacy as a music icon was solidified with Grammy nominations and featured roles, culminating in her final studio album, Betty Wright: The Movie, where she collaborated with acclaimed artists like the Roots. Until her passing in 2020, Betty Wright’s enduring influence and contributions to the music industry continued to inspire generations of artists and music enthusiasts worldwide.
Charles Jenkins & Fellowship Chicago
Charles C. Jenkins II (born December 14, 1975) is an American gospel musician who emerged onto the music scene in 2012 with the impactful release of ‘The Best of Both Worlds’ through Inspired People and EMI Gospel. This album marked a significant milestone for Jenkins as it became his breakthrough release recognized by Billboard magazine. Building on this success, Jenkins continued to enchant his audience with his soulful music, leading to the release of his second album, ‘Any Given Sunday,’ in 2015 under the labels Inspired People and Motown Gospel. Once again, this album made its mark on the industry by securing a spot on the esteemed Billboard magazine charts.
Read MoreMicah Tyler
Micah Tyler is a singer, songwriter, and worship leader from Buna, TX signed to Fair Trade Services. With a rigorous schedule of over 200 performance dates per year, Tyler has shared stages with renowned artists like MercyMe, Big Daddy Weave, Hawk Nelson, Phil Wickham, We Are Messengers, and many others. His latest single, “Different,” serves as the title track of his newly-released album, showcasing his versatility and musical depth. The album, ‘Different,’ also features Tyler’s chart-topping single “Never Been A Moment,” which has enjoyed immense success across various radio charts. Beyond his musical endeavors, Tyler’s decade-long tenure in staff ministry reflects his deep passion and dedication to the local church community.
Read MoreThe Emotions
The Emotions, a trio of sisters with a strong gospel foundation, emerged as prominent female R&B artists in the 1970s. Lead vocalist Sheila Hutchinson, along with her sisters Wanda and Jeanette, made a remarkable entry into the soul music scene with their captivating track ‘So I Can Love You’ in 1969. Raised on gospel music, the sisters gained local fame before signing with Volt, a Memphis-based record label. Working with renowned producers Isaac Hayes and David Porter, The Emotions solidified their place in the industry. Transitioning to Stax in 1975, the group later collaborated with Maurice White from Earth, Wind & Fire, resulting in the chart-topping hit ‘Best of My Love’ in 1977.
Following the success of ‘Best of My Love,’ Maurice White and The Emotions teamed up for ‘Boogie Wonderland’ two years later, a hit that reached high positions on both R&B and pop charts. Releasing several albums under White’s ARC label, the group faced challenges in replicating their earlier achievements. Despite moving to the Red label for their 1984 album ‘Sincerely,’ their subsequent singles did not achieve significant success. Transitioning to Motown but releasing only one album, ‘If I Only Knew.’ Sheila Hutchinson continued her musical journey, contributing as a featured vocalist on various tracks. Tragic events marked the group’s history, including the passing of Pam Hutchinson in 2020, leaving a poignant legacy in the music world.
Sheila Hutchinson’s musical journey extended beyond The Emotions, with her impactful collaborations and contributions. Younger sister Pam, a key member of the group, left a lasting impression through her vocals, while Jeanette Hutchinson’s skills were showcased in notable projects. The Hutchinson sisters’ influence was not limited to their group, as they lent their talents to other artists’ work. Despite facing challenges and losses, The Emotions left a profound mark on the music industry, with their harmonious blend of gospel roots and R&B sensibilities resonating with listeners for generations to come.
YG Marley
The artist, known for her unique talent and mesmerizing performances, has captivated audiences around the world. With a voice that resonates with emotion and lyrics that tell powerful stories, she has established herself as a true music icon. Her passion for creativity shines through in every song she creates, connecting deeply with listeners on a personal level. The artist’s ability to blend different genres and experiment with sounds has set her apart in the music industry, earning her critical acclaim and a dedicated fan base.
Beyond her musical talents, the artist is also recognized for her philanthropic efforts and commitment to social causes. Using her platform to raise awareness and support meaningful initiatives, she has inspired positive change and made a lasting impact on society. Her authenticity and genuine care for others resonate not only in her music but also in her actions offstage. The artist’s journey is a testament to perseverance, creativity, and the power of art to influence and unite people from all walks of life.
Mississippi Mass Choir
The Mississippi Mass Choir, led by David R. Curry, emerged as one of the most influential gospel groups in the late 1980s and 1990s. Their powerful sound led to continuous success on Billboard’s gospel charts, with each of their recordings reaching the top position. Their debut album ‘Live,’ recorded in 1988 at the Jackson, MS, Municipal Auditorium, remained on the charts for an impressive 45 weeks. This remarkable achievement earned them prestigious awards such as the James Cleveland GMWA awards for contemporary choir of the year and best new traditional artist of the year. Following the success of their debut, the choir released their second album ‘God Gets the Glory,’ which quickly reached number one just two weeks after its release in 1990.
Their pinnacle came with the release of ‘It Remains to Be Seen,’ their most successful album that dominated the charts for an entire year. This album received accolades such as the Soul Train music award for the best gospel album of 1993, solidifying their position as gospel music sensations. The choir’s journey was deeply intertwined with founder Frank Williams, a respected figure in gospel music who tragically passed away in 1993. Williams, also known for his association with the Jackson Southernaires and his role as an executive at Maleco record label, had a vision to gather the finest gospel voices in Mississippi. His determination led to the signing of the Mississippi Mass Choir to a record deal under the guidance of Jerry Mannery, furthering their musical legacy.
Heather Headley
Heather Headley, a talented R&B vocalist, was born in Trinidad in the mid-’70s. Raised in a musical environment as the daughter of a pastor, she embraced music and performance art from a young age. Heather began playing concert piano at just four years old and delved into the diverse sounds of her culture, including calypso, soca, and reggae, which later inspired her to pursue a professional singing career. Upon moving to the United States with her family at 15, Heather smoothly assimilated into American culture, immersing herself in its music and complexities. She excelled academically, graduating with honors from high school and furthering her studies in communications and musical theater at Northwestern University.
In 1997, Heather Headley made her mark by portraying Nala in the Broadway production of The Lion King. Her exceptional performance caught the attention of Disney, leading her to audition for the renowned Elton John/Tim Rice musical Aida. Securing the role of the Nubian princess Aida, Heather’s portrayal was mesmerizing and earned her a prestigious Tony Award in 1998. Transitioning from stage to studio, she released her debut solo album, ‘This Is Who I Am,’ in fall 2002 under a deal with RCA. Following the success of her second album ‘In My Mind’ in January 2006, which reached the Top Ten of the Billboard 200, Heather continued to showcase her talent with a contemporary gospel-themed album ‘Audience of One’ three years later. This album featured a blend of original songs and covers, including interpretations of tracks by the Commodores and Fred Hammond, solidifying Heather Headley’s versatility and musical prowess. ~ MacKenzie Wilson
Koffee Brown
Koffee Brown, the dynamic duo, achieved remarkable success with their debut single, ‘After Party,’ a captivating jazzy dance track that swiftly climbed the charts in December 2000. This hit single was featured on their Arista debut album, Mars/Venus. Filling a void for a male/female-singing duo at that time, Koffee Brown was warmly welcomed by music enthusiasts. The talented singer/songwriters Fonz and Vee were brought together on the recommendation of J Records head and industry veteran, the former Arista head Clive Davis. Additionally, Next member Kay Gee went on to establish his own Divine Mill Records, which boasted artists like Jaheim and Allstar, the latter of whom co-produced ‘After Party’ alongside Teddy Riley and also worked on Joe’s R&B/pop chart-topper ‘Stutter.’ R.L. from Next played a crucial role in encouraging Fonz to audition for Kay Gee by suggesting a move from Mississippi to Minnesota. Born in East Orange, New Jersey, Vee had a longstanding friendship with Kay Gee and had gained experience as a background singer for renowned artists like Mary J. Blige and Faith Evans. Mars/Venus, the duo’s only album, showcased a blend of emotions ranging from silly and scathing to sexy and sweet, making it a captivating debut. The album, propelled by the success of ‘After Party,’ reached number 32 on the Billboard 200, thanks to its Top Ten R&B performance. Unfortunately, the duo parted ways after their initial success.
Read MoreDennis Edwards
“Once a Temptation, always a Temptation” might have been the motto for explosive vocalist Dennis Edwards, who joined, left, and rejoined the group three times. Edwards was born in Birmingham, but his family moved to Detroit when he was seven. As a high-school student, Edwards sang with the Crowns of Joy gospel group, then formed a soul-jazz band called Dennis Edwards & the Firebirds, inspired by organist Richard “Groove” Holmes. Motown bass legend James Jamerson heard Edwards singing one night and suggested he audition. They needed a lead singer quickly for the Contours, and his feature on “It’s So Hard Being Alone” was Edwards’ entry into the company. A song he recorded for Soulsville, “I Didn’t Have To (But I Did),” got moderate reaction, but Edwards was soon enlisted to replace David Ruffin as lead singer of the Temptations in 1968. He spent the next nine years in that role, his gritty leads fueling such songs as “Cloud Nine,” “I Can’t Get Next to You,” “Ball of Confusion,” and “Psychedelic Shack,” as well as the groundbreaking singles “Papa Was a Rollin’ Stone” and “Masterpiece.” He left for the first time in 1977, returned in 1979, and left again in 1983.
In 1984, Edwards, solo once more, made one of the great duets of the decade, “Don’t Look Any Further,” with Siedah Garrett. It narrowly missed the top of Billboard’s R&B chart. There weren’t many numbers that better combined sensuality, vocal assertiveness, excellent production, and a superb arrangement. The follow-up, “(You’re My) Aphrodisiac,” was a Top 20 R&B single, but things then cooled considerably. “Coolin’ Out” was Edwards’ final hit, peaking at number 23, but he returned to the Temptations in 1987. Edwards briefly teamed with ex-Temptations David Ruffin and Eddie Kendricks in the trio Ruffin/Kendricks/Edwards, but nothing was ever released. Along with other members of the Temptations, he was inducted to the Rock and Roll Hall of Fame in 1989. During the following three decades, he continued to perform, first as the leader of Dennis Edwards & the Temptations and then, after a legal dispute with original group member Otis Williams, the Temptations Review Featuring Dennis Edwards. Edwards died in February 2018 at the age of 74. ~ Ron Wynn, Rovi
Boney James
Since making his leader debut with 1992’s Trust, saxophonist Boney James has consistently placed in the top spot on the Contemporary Jazz Charts, though his sound is grittier and more muscular than the genre usually embodies. After four Grammy nominations and RIAA gold-certified albums, along with millions of sales, James’ unique meld of soul-jazz, R&B, funk, and pop have come to define the sound of 21st century contemporary jazz. Albums such as 1999’s Body Language, 2004’s Pure, and 2015’s Futuresoul have influenced an entire generation of artists. Born James Oppenheim, he grew up in New Rochelle, New York, and studied clarinet when he was eight, switching to saxophone two years later. When he was 15, his family moved to Los Angeles. James was soon playing in a fusion band (Line One) that was strong enough to open for Flora Purim and the Yellowjackets. He earned a degree in history from UCLA but became a full-time musician after graduation, doubling on keyboards.
In 1985, James went on the road as a keyboardist with Morris Day. He spent four years with Day and became an in-demand sideman, playing with Randy Crawford, Sheena Easton, the Isley Brothers, Bobby Caldwell and many others before going solo. Featuring 11 self-penned compositions including the single “Be Here” with Kenny Lattimore providing vocals, the James-produced album titled Solid was released in June of 2020. It debuted at #10 on the Billboard Current Pop Albums Chart.