Surface

When you think of the group Surface, the term disco dancefloor doesn’t come to mind. The ’80s soft soul vocal trio known for such lush ballads as “Closer Than Friends” and the million-selling singles “Shower Me With Your Love” and the number one pop hit “The First Time” had one of its first charting records as artists signed to dance music pioneer Salsoul Records. “Falling in Love,” co-written by Surface member David Conley, doesn’t have much in common with the aforementioned titles other than the group name and a (presumably) Conley flute solo. The single made it to number 84 R&B in summer 1983 and the U.K. pop charts. Singer Bernard Jackson who grew up in Stamford, CT, got into the music business through his cousin who lived in New York. Seizing the opportunity, he relocated to New York and began performing around the city. While doing a show in Stamford, his godfather suggested that he contact his nephew David Townsend who was also in the music business. Townsend, a former touring guitarist for the Isley Brothers, was the son of singer/songwriter/producer Ed Townsend who had a hit with “For Your Love” in summer 1958 and wrote the Impressions’ “Finally Got Myself Together (I’m a Changed Man)” and co-wrote Marvin Gaye’s “Let’s Get It On.” Around 1973, Townsend joined a band called the Port Authority where he met David “Pic” Conley. Townsend, whose father shared hit songwriting tips with him, began writing songs with Conley. After Townsend and Conley met Jackson it was decided that they’d write songs together. The trio became staff writers for EMI Music. Their songs were covered by New Edition (“Let’s Be Friends” from their 1985 MCA LP All for Love) and Sister Sledge (“You’re So Fine”). The trio became performers using the name Surface and moved to Los Angeles. An EMI Music executive brought one of their songs, “Let’s Try Again,” to the attention of Larkin Arnold of Columbia Records. Arnold’s previous successes include Natalie Cole and Peabo Bryson. He signed the group to Columbia and their first single “Let’s Try Again” charted number 80 R&B in late 1986. The debut album Surface included the smooth and sweet “Happy,” which hit number two R&B for two weeks in early 1987, “Lately” (number eight R&B), and the reissued “Let’s Try Again.” The next LP, 2nd Wave yielded “I Missed” (number three R&B), “Closer Than Friends” (number one R&B for two weeks in early 1989), the wedding standard “Shower Me With Your Love” (gold, number one R&B/number five pop), “You Are My Everything” (number one R&B for two weeks), and “Can We Spend Some Time” (number five R&B). Jackson brought the sheet music to a song he had written in 1986 to his friend, songwriter Brian Simpson, who had a recording studio in his garage. After listening to the finished demo tape, Jackson thought that he had a hit. Hiring a mobile 24-track recording studio truck to capture his vocal in the best professional conditions, Jackson sang “The First Time” in Simpson’s house. “The First Time” was the first single from Surface’s 3 Deep album and went gold hitting number one R&B and holding the number one pop for two weeks in early 1991. While “The First Time” was topping the charts, Surface was one of the presenters at the American Music Awards and were enthusiastically congratulated. The hits continued with “All I Want Is You” (number eight R&B, early 1991) and “Never Gonna Let You Down.” “You’re the One” billed as Surface featuring Bernard Jackson made it to number 24 R&B, summer 1991. The group’s last charting single was “A Nice Time for Lovin'” included on their 1991 greatest hits LP The Best Surface: A Nice Time for Loving. Conley and Townsend also produced sides on Rebbie Jackson (“Reaction”) that are on The Rebbie Jackson Collection from U.K. label Expansion distributed by Sony/3MV. ~ Ed Hogan, Rovi

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Carl Carlton

Carlton, originally known as ‘Little Carl’ Carlton, was born in Detroit, Michigan, and kickstarted his musical journey in the mid-1960s. Taking inspiration from the legendary Stevie Wonder, who was once ‘Little Stevie Wonder,’ Carlton’s early recordings under Lando Records featured modest local hits like ‘So What’ and ‘Don’t You Need a Boy Like Me.’ In 1982, his Haywood-penned single ‘She’s a Bad Mama Jama (She’s Built, She’s Stacked)’ soared to success, earning him a Grammy Award nomination for Best R&B Vocal Performance, Male. The track not only dominated the soul chart but also secured a spot in the UK Singles Chart, propelling Carlton’s self-titled album to gold status the same year.
Throughout the 1980s, Carlton continued to deliver musical creations, although his prominence dwindled with only a handful of minor R&B successes post his 1985 album ‘Private Property.’ A considerable hiatus followed until 1994, marked by the release of ‘Main Event,’ which failed to make a chart impact. Fast forward to late 2002, Carlton graced the stage alongside prominent R&B luminaries for the ‘Rhythm, Love, and Soul’ episode of the PBS series American Soundtrack. His rendition of ‘Everlasting Love’ captivated audiences and earned a spot on the live album released in 2004. Cementing his place in music history, Carlton’s tracks like ‘Baby I Need Your Loving’ and ‘Fooled Myself Again’ continue to captivate audiences and remain timeless classics.

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E.U.

E.U., also known as Experience Unlimited, formed in the ’70s with a sound inspired by artists like Earth, Wind & Fire, Santana, and War. The band evolved into one of Washington, D.C.’s original and longest-lasting go-go acts. Led by bassist and vocalist Gregory ‘Sugar Bear’ Elliott, E.U. garnered a primarily local following through their performances and albums like Free Yourself (1977) and Future Funk (1982). In 1988, they achieved an unexpected breakthrough with the hit song ‘Da’Butt,’ which topped the R&B charts and reached the Top 40 on the pop charts. Collaborations with Salt ‘N’ Pepa on ‘Shake Your Thang’ further solidified their success.
Later, E.U. signed to Virgin Records and released several hit singles including ‘Buck Wild,’ a fusion of go-go and new jack swing, and the heartfelt ballad ‘Taste of Your Love,’ both making it to the Top Ten of the R&B chart. Despite returning to independence for their recordings, E.U. continued to captivate audiences with their energetic performances led by Sugar Bear. Their legacy in the music industry remains significant, with their contributions to go-go and R&B genres celebrated by fans and critics alike.

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Ambre Vallet

Einzigartige Stimme, fesselnde Melodien und eingängige Hooks kombiniert mit französischem Charme – Ça c’est AMBRE VALLET! Geboren in Montpellier, aufgewachsen in Münster und Berlin, macht die 25-Jährige bereits seit über 13 Jahren Musik. Was damals mit dem Schlagzeugspielen begann, ist heute ihre größte Leidenschaft: Das Schreiben und Singen ihrer eigenen Songs. In ihrer Musik verbindet Ambre Vallet urbane Beats mit poppigen Melodien. Dabei kombiniert sie Deutsch und Französisch. Denn in ihrem Herzen schlagen zwei Kulturen, die sie musikalisch prägen. In ihren Texten erzählt sie auf ehrliche und emotionale Art und Weise, was sie im Leben beschäftigt und berührt. Mit ihrer Musik trifft Ambre nicht nur Mitten ins Herz, sondern sie spricht auch gesellschaftskritische Themen auf ihre eigene charmante Art und Weise an.

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Floetry

Marsha Ambrosius and Natalie Stewart are the funky divas behind the neo-soul duo Floetry. Ambrosius and Stewart emerged in the mid-’90s as songwriters in demand. They’re behind some of the new millennium’s biggest hits, too. The pair has written tracks for Michael Jackson, Jill Scott, Glenn Lewis, and Bilal. While they’re highly respected behind the scenes, Floetry is their way of moving up front.
Ambrosius is the songstress to Stewart’s spoken word impresario or ‘floacist’ role. The two met due to their love of basketball. Stewart, who hails from London, was a superstar on her court, while Ambrosius wowed fans in her local English neighborhood. They were competitive, but not rivals, so a friendship was formed. Music was also a passion. Ambrosius relished in her reggae roots while Stewart found herself grooving to funk and soul. While attending Brits Performing Arts School, Ambrosius studied business and finance, but made room for courses in voice, performance technique, and recording. Stewart split her time between acting and directing. Later, Ambrosius and Stewart headed to college.
Ambrosius planned to attend Georgia Tech University on a basketball scholarship, but injury forced her to bow out. Stewart headed for Middlesex University, eventually transferring to North London University. Still, they two kept in touch and raved about music. It wouldn’t be until Stewart’s girl group, 3 Plus 1, disbanded that Floetry would actually give music a serious shot. In 1997, Ambrosius and Stewart began writing songs and playing shows in and around London. Three years later, they moved to America in search of something bigger. A brief stint in Atlanta didn’t pan out, but their time spent in Philadelphia proved golden. Ambrosius and Stewart befriended Julius Erving III, basketball great Julius Erving’s son, in mid-2000. Floetry and Erving clicked instantly. Erving signed on as their manager and hooked the ladies up with Jeff Townes, aka DJ Jazzy Jeff, for some recording. That’s when the deals started trickling in — Floetry were official and living out a dream. In 2002, they inked a deal with DreamWorks and touched up their own work for a debut album. Floetic appeared in October 2002, and its follow-up, Flo’Ology, reached the Top Ten upon release three years later.

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Quincy Jones

Quincy Jones, a true renaissance man of American music, has left an indelible mark on the industry over his illustrious seven-decade career. Starting as an arranger in the early 1950s, Jones has excelled in various roles including bandleader, solo artist, songwriter, producer, film composer, and record label executive. His collaborations with iconic artists like Miles Davis, Frank Sinatra, Count Basie, Lesley Gore, Michael Jackson, Peggy Lee, Ray Charles, Paul Simon, and Aretha Franklin highlight the incredible diversity of his work. With an unprecedented 80 Grammy nominations and 27 wins, Jones has been recognized for his exceptional talent across different categories, from instrumental jazz to producing award-winning albums like Jackson’s Thriller and his own Back on the Block.
Born Quincy Delight Jones, Jr. in Chicago in 1933, he discovered his passion for music at a young age, eventually mastering the trumpet and joining a local gospel group in his teens. After receiving a scholarship to a music school in Boston, Jones ventured to New York City where he kickstarted his career as an arranger for renowned artists like Count Basie, Cannonball Adderley, Tommy Dorsey, and Dinah Washington. Over the years, he ventured into new territories, working with international musicians, composing film scores, and making significant contributions to popular music through collaborations with artists like Frank Sinatra, Aretha Franklin, and Paul Simon. Despite criticisms from some jazz purists, Jones continued to evolve his sound, bridging the gap between jazz and contemporary genres while staying true to his African-American musical heritage.

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Shirley Murdock

Singer/songwriter Shirley Murdock is best known for the ethereal ballad “As We Lay,” which was produced by Roger Troutman. Murdock started out singing gospel music in her native Toledo. Troutman hired her as a background singer for his family’s group Zapp, who had several hits on Warner Brothers (or its Reprise imprint). Based on this success, Troutman began recording tracks with Murdock and lead singer Sugarfoot of the Ohio Players, among others, at his Dayton-based recording studio Troutman Sound Labs.
Murdock and Troutman’s first charting single was a Warner single issued as Roger (Featuring Shirley Murdock), “Girl, Cut It Out,” which charted at number 79 R&B in early 1985. Murdock was signed to Elektra Records with the pumping “No More,” which made it to number 24 R&B in early 1986. Then came her signature hit, “As We Lay,” written by Zapp’s Larry Troutman and keyboardist Billy Beck (of the Ohio Players). The tender, melancholy ballad made it to the R&B Top Ten and peaked at number 23 pop in 1986. Her LP Shirley Murdock went gold, also helped along by the follow-up hits “Go on Without You” and “Be Free.” She also released full-lengths in 1988 (A Woman’s Point of View) and 1991 (Let There Be Love). In early 2000, Murdock toured in the inspirational/gospel play, Be Careful What You Pray For with Cuba Gooding and David Peaston. ~ Ed Hogan, Rovi

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Shanice

Shanice, the talented singer and songwriter, reached the pinnacle of her career with the release of her hit single ‘I Love Your Smile’ in 1991. This global success not only led to a Grammy nomination but also showcased her remarkable lilting soprano voice. Prior to this breakthrough, Shanice had already made a mark with her appearances on the music-oriented television series Kids Incorporated. Her journey in the music industry included several Top Ten singles on the R&B/hip-hop charts, solidifying her position as a versatile artist. Throughout the 1990s and 2000s, Shanice continued to captivate audiences with a total of 16 charting singles, achieving gold status with her albums ‘Inner Child’ in 1991 and ‘Shanice’ in 1999. Her remarkable musical journey extended further with the release of her independent fifth album ‘Every Woman Dreams’ in 2006, followed by the launch of soulful singles like ‘He Won’t’ in 2019 and ‘Take Care of U’ in 2022, proving her enduring talent and versatility in the industry.
Shanice’s musical roots trace back to her early years, as she began singing even before her first birthday. Her innate talent was evident from a young age when she moved from her native Pittsburgh to Los Angeles with her family. At just eight years old, Shanice found herself scatting alongside jazz legend Ella Fitzgerald in a commercial for Kentucky Fried Chicken, setting the stage for her future success in the music world. A pivotal moment in her career came at the age of 11 when she signed with A&M Records and made her debut in the music scene with the album ‘Discovery’ in the late 1980s. Notable collaborations with acclaimed producers like Bryan Loren resulted in hits such as ‘(Baby Tell Me) Can You Dance’ and ‘No 1/2 Steppin’,’ both making waves on the R&B/hip-hop charts. Shanice’s transition to Motown in 1991 marked a new chapter in her career, highlighted by the chart-topping success of ‘I Love Your Smile’ and the subsequent acclaim received for her album ‘Inner Child.’ With each release, Shanice’s artistry evolved, and her contributions to soundtracks and collaborations with renowned artists solidified her status as a powerhouse vocalist in the music industry.

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A Tribe Called Quest

A Tribe Called Quest, an iconic rap group of the 1990s, emerged as pioneers alongside other members of the Native Tongues collective like the Jungle Brothers, Queen Latifah, De La Soul, Monie Love, and Black Sheep. The group found a perfect blend between introspective and carefree lyrics, delving into personal and societal issues while maintaining a fun and relaxed approach. Renowned for their innovative production, A Tribe Called Quest revolutionized hip-hop by creatively sampling ’60s and ’70s jazz records and exploring a wide range of musical styles from bossa nova to prog rock. Their discography, including acclaimed albums like The Low End Theory, Midnight Marauders, and Beats, Rhymes and Life, solidified their legacy as one of the most influential artists of the decade.
Initially forming as a duo with Q-Tip and Ali Shaheed Muhammad, A Tribe Called Quest expanded with the addition of Phife Dawg and Jarobi, later being recognized as a groundbreaking quartet. Their debut album, People’s Instinctive Travels and the Paths of Rhythm, marked the beginning of their journey to redefine hip-hop by infusing elements of jazz and rock into their sound. The release of their second album, The Low End Theory, in 1991 elevated the group to new heights, becoming a classic in the genre and featuring collaborations with jazz legend Ron Carter. Subsequent albums like Midnight Marauders and Beats, Rhymes and Life further showcased their musical prowess and cultural impact, with hits like ‘Award Tour’ and ‘1nce Again’ solidifying their position as hip-hop royalty.
Despite announcing their disbandment after The Love Movement, A Tribe Called Quest continued to captivate audiences through various reunions and performances, demonstrating their enduring influence on the music scene. The tragic loss of Phife Dawg in 2016 deeply impacted the group, prompting a heartfelt reunion and the completion of their final album, We Got It from Here…Thank You 4 Your Service. This release, featuring collaborations with acclaimed artists like Busta Rhymes, Elton John, Kendrick Lamar, and André 3000, paid tribute to the group’s legacy and marked a poignant conclusion to their illustrious career. Nominated for induction into the Rock and Roll Hall of Fame in 2022, A Tribe Called Quest’s groundbreaking contributions to hip-hop continue to resonate and inspire music lovers worldwide.

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Angie Stone

Angie Stone, a renowned hip-hop pioneer and neo-soul catalyst, has built a successful career spanning over four decades. Initially gaining recognition as a singer, MC, self-taught keyboardist, prolific songwriter, and arranger, Stone’s journey began with her involvement in the trio known as the Sequence. The group marked their presence with the release of ‘Funk You Up’ in 1979, which was the first rap single by an all-female group and the second release on Sugar Hill Records. Transitioning through different musical phases, Stone embarked on a dynamic solo career in the realm of neo-soul, emerging as one of the genre’s leading figures. Her distinctive voice, characterized by its smoky yet bold quality, delved deep into the nuances of romantic relationships, earning her acclaim and recognition.
Born Angela Laverne Brown, Stone’s musical roots trace back to her upbringing in Columbia, South Carolina, where she began singing gospel music at a young age. Influenced by her father’s involvement in a local gospel quartet, Stone was exposed to performances by gospel artists, shaping her musical journey. Despite early interests in poetry, sports, and basketball scholarships, Stone’s passion for music led her to venture into recording demos at a local studio. Joining the rap trio the Sequence, Stone collaborated on hits under Sugar Hill Records before exploring new musical endeavors with acts like Mantronix, Vanessa Paradis, and Lenny Kravitz. Her solo career flourished with albums like ‘Black Diamond’ and ‘Mahogany Soul,’ earning her Grammy nominations and establishing her as a prominent figure in the R&B scene.

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LSG

LSG is a dynamic RnB production team blending talent from the United States and Scandinavia. Initially gaining prominence as industry mastering engineers, they worked on tracks for top artists such as Trey Songz and Joe.
Their expertise led them to acquire the renowned Svea Studios in Stockholm, celebrated for its role in mixing and engineering iconic Swedish artists, including ABBA.

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