Graham Nash Announces 2026 Tour: Full List of Dates

Graham Nash is heading back on the road in 2026 with a 20-date run that stretches from the Northeast to Florida before wrapping with two summer dates in Colorado. The newly announced itinerary opens April 4 in Lansdowne, Pennsylvania, and follows a deliberate route through theaters and performing arts rooms that fit Nash’s long-running solo format: intimate, story-rich, and centered on songs that have shaped folk and rock for more than five decades.

The tour matters because it places one of the last active links to the Laurel Canyon era in front of audiences at a moment when nostalgia tours often lean on scale instead of substance. Nash’s current live shows are typically built around songwriting, harmonies, political reflection, and deep catalog cuts, alongside staples from Crosby, Stills & Nash and Crosby, Stills, Nash & Young. At 84 by the time this run begins, he remains one of the few artists from that generation still booking a full, multi-region theater run under his own name.

The route: East Coast launch, Florida residency feel, Colorado finish

The first leg starts in the Mid-Atlantic and Northeast, then moves south through the Carolinas. From there, the schedule shifts into an eight-show Florida stretch across Clearwater, Key West, Fort Lauderdale, and Ponte Vedra. That cluster gives the run a mini-residency feel, with multiple-night stops in three markets. After a break in the calendar, Nash returns in July for two Colorado performances in Steamboat Springs and Beaver Creek.

Several bookings stand out for venue identity alone. Tarrytown Music Hall in New York has become a regular stop for veteran singer-songwriters because of its acoustics and listening-room audience culture. The Charleston Music Hall and Peace Center in South Carolina are both known for curated touring programming. In Florida, repeated dates at Capitol Theatre, The Key West Theater, The Parker, and Ponte Vedra Concert Hall suggest strong demand and a strategy built around sold-out first nights feeding second-show adds.

All announced Graham Nash tour dates (2026)

• April 4, 2026 – Lansdowne, PA – Lansdowne Theater
• April 6, 2026 – Ridgefield, CT – Ridgefield Playhouse
• April 8, 2026 – Tarrytown, NY – Tarrytown Music Hall
• April 10, 2026 – New London, CT – Garde Arts Center
• April 11, 2026 – New Brunswick, NJ – State Theatre New Jersey
• April 14, 2026 – Annapolis, MD – Maryland Hall
• April 15, 2026 – Charlottesville, VA – Paramount Theater
• April 17, 2026 – Myrtle Beach, SC – The Carolina Opry Theater
• April 18, 2026 – Greenville, SC – Peace Center
• April 20, 2026 – Charleston, SC – Charleston Music Hall
• April 22, 2026 – Clearwater, FL – Capitol Theatre
• April 23, 2026 – Clearwater, FL – Capitol Theatre
• April 25, 2026 – Key West, FL – The Key West Theater
• April 26, 2026 – Key West, FL – The Key West Theater
• April 28, 2026 – Ft. Lauderdale, FL – The Parker
• April 29, 2026 – Ft. Lauderdale, FL – The Parker
• May 1, 2026 – Ponte Vedra, FL – Ponte Vedra Concert Hall
• May 2, 2026 – Ponte Vedra, FL – Ponte Vedra Concert Hall
• July 7, 2026 – Steamboat Springs, CO – Strings Music Festival
• July 9, 2026 – Beaver Creek, CO – Vilar Performing Arts Center

Why this run is notable for fans and the live market

This is not a one-weekend victory lap. It is a structured national itinerary with back-to-back travel days, paired dates, and geographic sequencing that resembles modern touring logic rather than legacy-artist cameo scheduling. For fans, that translates to realistic access in multiple regions without needing to fly into major arenas. For promoters, it is another data point showing that high-trust artist brands can still move tickets in 1,000 to 3,000-cap venues when the act is consistent and the room choice is smart.

There is also an archival value to these shows. Nash’s catalog includes songs that remain central to classic rock radio and political songwriting history, and his solo performances often include first-person context around how key material was written. In an era where audience discovery now happens as much on short-form video as on albums, live settings like these can function as both concert and oral history session for younger attendees seeing him for the first time.

Ticket links are live through Nash’s official tour page, where each city entry routes directly to local venue ticketing. If additional dates are added after the April-May run, the existing pattern suggests they may appear as second nights in markets already on the board or as adjacent theater holds in the Southeast and Mountain West. For now, the announced schedule gives Graham Nash a full spring arc, a summer coda in Colorado, and a clear signal that he is still treating the road as active creative territory, not just a museum of past hits.

Source for announced dates: grahamnash.com/tour-dates.