Everything Music. Everything News. Everything live.

Rihanna Teases Long-Awaited New Music

Fred Duval / shutterstock.com
Fred Duval / shutterstock.com

Rihanna has long kept fans eagerly waiting for her ninth studio album, sparking excitement with each tease and hint. Although the exact release date for this highly anticipated project remains a mystery, the global pop icon has been candid about her artistic journey since her last album, Anti, which debuted in 2016. Since then, she has promised that any forthcoming work would align with her personal growth and evolution as an artist. In interviews with outlets such as Harper’s Bazaar, she has emphasized that her new creations must matter and make a significant impact, holding herself to high standards and insisting that the wait justifies the outcome.

The singer, known for her groundbreaking collaborations and chart-topping hits, has taken her time to “crack the code” on what she envisions for her next album. She has been deliberately selective about the music she is creating, ensuring that it aligns with her personal and artistic development. Rihanna noted that earmarking nearly a decade for this project warrants that it “has to count. It has to matter.” Her commitment to authenticity is clear as she dismisses any assumptions that the new album would conform to conventional music standards or cater to commercial radio play. Instead, she describes the upcoming work as an expression of her creativity, free from genre constraints and external expectations.

As the icon continued teasing her ninth studio album, fans remain on edge, eager yet understanding of the lengthy hiatus. Rihanna has expressed that none of her previous attempts felt right or representative of where she stands today, prompting her to delay the release. Her assurance that she will not release anything less than extraordinary remains unwavering. In doing so, she has discredited the widely speculated notion of a reggae theme, highlighting that her new music will not fit within a traditional framework and won’t be designed for mainstream consumption.

 

Key Takeaways

Related Stories

The Prince of Darkness Goes Pixelated: Osbourne Family Unveils AI Ozzy

Less than a year after John Michael Osbourne took his last bow, the Prince of Darkness is being booted back…

Bruce Springsteen Brings ‘Streets of Minneapolis’ to Colbert’s Penultimate Late Show

Bruce Springsteen performed ‘Streets of Minneapolis’ on The Late Show’s penultimate episode, calling out CBS parent Paramount and defending Colbert’s legacy.

Paul McCartney Says He Can’t Recognize Bob Dylan’s Songs at Live Shows

Paul McCartney says he couldn’t identify songs at recent Bob Dylan concerts, sparking debate about the artist-audience contract in classic rock’s twilight era.

Pearl Jam Has Found a New Drummer to Replace Matt Cameron

Ex-Pearl Jam drummer Dave Krusen confirmed on Instagram that the band has already found a new drummer to replace Matt Cameron, who departed after 27 years.

Michael Anthony Still Wants In on an Eddie Van Halen Tribute Concert

Michael Anthony says he’d love to be part of an Eddie Van Halen tribute concert, but acknowledges time is getting thin for original members to participate.

Chris Robinson Admits He Engineered The Black Crowes’ 2015 Breakup Out of Anger

Chris Robinson says he deliberately triggered The Black Crowes’ 2015 split out of anger and heartbreak, revealing the full story on the Mohr Stories podcast.

Primary Wave Acquires Hipgnosis Design Catalog, Plans Global Exhibitions

Primary Wave has acquired Aubrey Powell’s interest in the Hipgnosis design catalog, covering iconic album art for AC/DC, Black Sabbath, Genesis, and more, with

Gary Rossington on Lynyrd Skynyrd’s Origins, Ronnie Van Zant, and 50 Years of Survival

In a 2012 Classic Rock interview, Gary Rossington recalled how Lynyrd Skynyrd began, what made Ronnie Van Zant an unquestioned leader, and the blues roots that

Gregg Allman Documentary ‘The Music of My Soul’ Sets Premiere Events and Wide Release

Gregg Allman: The Music of My Soul opens June 17 at 200+ screens. Premiere events at NYC’s Gramercy Theater and Macon’s Grand Opera House are already sold out.