Jack White is one of the great rock conceptualists of the 21st century. He came to fame as the leader of the White Stripes, the Detroit-based garage-punk duo who were unexpectedly one of the biggest rock acts of the 2000s. The White Stripes established White as a roots rocker — he made sure they covered blues chestnuts from Son House — to such a degree that his modernist art instincts were somewhat overshadowed during the band’s peak. These dueling, sometimes complementary instincts, fueled White’s myriad artistic pursuits both within and without the confines of the White Stripes. He started stepping out on his bandmate Meg almost immediately after White Blood Cells gave the group a blockbuster in 2001, producing Loretta Lynn’s Van Lear Rose and forming the Raconteurs with Brendan Benson, then the Dead Weather with Alison Mosshart of the Kills. His voracious musical appetite and strict work ethic flourished once the White Stripes called it a day in 2011, as he divided his time between his Third Man Records empire, the Raconteurs and Dead Weather, and a solo career that grew increasingly idiosyncratic with each new album. Blunderbuss and Lazaretto veered close to territory he covered with the White Stripes but the proggy oddity of Boarding House Reach didn’t prove to be a detour, as the twin 2022 albums, Fear of the Dawn and Entering Heaven Alive, proved: the noisy rock of the former was complemented by the quiet, introspective adventure of the latter. 2024’s No Name saw him reconnecting with no-nonsense, yet rocker-fuelled blues rock.
John Anthony Gillis was born in Detroit on July 9, 1975. The youngest of ten siblings, he began playing drums at an early age and took inspiration from the world-weary blues of Son House and Blind Willie McTell. A fascination with guitar followed in his teenage years. After launching his own upholstery business in Detroit, White began to infiltrate the city’s music scene as the drummer for Goober & the Peas, a local cowpunk band that split in 1995. While continuing to play drums for other groups, he crossed paths with a bartender named Meg White, and the two were married in 1996. Jack took Meg’s surname, and the pair formed the White Stripes after a Bastille Day jam session showed promising results.
With their color-coded image and raw, punky sound, the White Stripes became a key component of the garage rock revival of the late ’90s. In addition to their music, the bandmembers stirred public interest by claiming to be siblings, a declaration that seemed slightly less incestuous when Jack and Meg White divorced in 2000. Despite the split, the White Stripes only grew in popularity as the decade progressed, eventually winning three consecutive Grammy Awards and issuing several platinum-certified albums. Following the release of Elephant in 2003, Jack White took a break from the group to produce Loretta Lynn’s Van Lear Rose. A critical smash, the album helped endear Lynn to a new generation of fans, thanks in part to White’s credibility as a rock artist. He then returned to the White Stripes for the release of Get Behind Me Satan, which saw him expanding his instrumental range with piano and marimba. Shortly thereafter, he launched a concurrent group, the Raconteurs, with friend Brendan Benson and two members of the Greenhornes (who, incidentally, had served as backing musicians on Van Lear Rose). The Raconteurs made their debut with 2006’s Broken Boy Soldiers and toured in support of the album, while White publicly stressed that his work in the band should not be seen as a side project or a diversion from the White Stripes. Thus, he began juggling his responsibilities to both groups, partnering with Meg White once again for the White Stripes’ 2007 release Icky Thump before returning to the Raconteurs for 2008’s Consolers of the Lonely.