Johnny’s Gonna Die / All by Myself (Live at the 7th Street Entry, Minneapolis, MN, 1/23/81)
Sample excerpt for album Johnny’s Gonna Die / All by Myself (Live at the 7th Street Entry, Minneapolis, MN, 1/23/81).
Read MoreJohnny’s Gonna Die / All by Myself (Live at the 7th Street Entry, Minneapolis, MN, 1/23/81)
Sample excerpt for album Johnny’s Gonna Die / All by Myself (Live at the 7th Street Entry, Minneapolis, MN, 1/23/81).
Read MoreLeft of the Dial (Ed Stasium Mix)
Sample excerpt for album Left of the Dial (Ed Stasium Mix).
Read MoreCan’t Hardly Wait (Cello Version)
Sample excerpt for album Can’t Hardly Wait (Cello Version).
Read MoreJumpin’ Jack Flash (Live at the Cabaret Metro, Chicago, IL, 1/11/86)
Sample excerpt for album Jumpin’ Jack Flash (Live at the Cabaret Metro, Chicago, IL, 1/11/86).
Read MoreSwingin Party
Sample excerpt for Swingin Party.
Read MoreFavorite Thing
Sample excerpt for Favorite Thing.
Read MoreAndrogynous
Sample excerpt for Androgynous.
Read MoreBastards of Young – 2008 Remaster
Sample excerpt for Bastards of Young – 2008 Remaster.
Read MoreI Will Dare
Sample excerpt for I Will Dare.
Read MoreThe Replacements
The Replacements, known for their imprecise balance of recklessness and heart, were a cherished band that emerged from the American rock & roll underground scene of the 1980s. Originating from Minneapolis, the band navigated through their formative years on Twin/Tone Records, gaining recognition for their beer-soaked live shows and roughly produced albums that sometimes concealed the sardonic humor and compassion of Paul Westerberg, their vocalist, and primary songwriter. Despite attracting critical acclaim and college radio audiences, the Replacements ventured into the mainstream by signing with Sire Records and parting ways with founding guitarist Bob Stinson to refine their sound. Although they never achieved significant commercial success, their dedicated fan base remained loyal, leading to a notable reunion in 2014.
Established in 1979, the band was formed when Paul Westerberg joined forces with garage punk band formed by the Stinson brothers, Bob on guitar and Tommy on bass, along with drummer Chris Mars. Initially named the Impediments, the group adopted the moniker the Replacements after being banned from a local venue due to unruly behavior. Drawing early comparisons to Hüsker Dü, the Replacements quickly distinguished themselves with their wild and unfiltered performances, earning a deal with Twin/Tone, a Minneapolis-based record label. The band’s evolution from their raw hardcore debut Sorry Ma, Forgot to Take Out the Trash in 1981 to the genre-bending Hootenanny in 1983, showcased their musical versatility and paved the way for their breakthrough album, Let It Be, in 1984.
Let It Be marked a turning point for the Replacements, spotlighting their growth as musicians and Westerberg’s prowess as a songwriter with tracks like “I Will Dare” and “Answering Machine.” The album’s critical success attracted the attention of Sire Records, leading to the production of Tim in 1985, which received widespread acclaim. Despite poised for mainstream fame, the band’s reluctance to conform to industry norms, evident through their rebellious behavior on stage and refusal to create commercial-friendly music videos, hindered their commercial breakthrough. Over the years, lineup changes and personal struggles plagued the band, ultimately culminating in their disbandment in 1991 after the release of All Shook Down, which essentially served as a Westerberg solo project. Despite their tumultuous journey, the Replacements’ legacy endures through sporadic reunions and post-breakup ventures of its members.