One of the most underrated funk groups of the 1980s, Zapp revolutionized the computer pop of electro with their trademark vocoder talk boxes and bumping grooves, emulating the earthier side of Prince and Cameo, with a leader in Roger Troutman who was more than efficient at polished production. The family group, with brothers Roger, Lester, Larry, and Tony Troutman, grew up in Hamilton, OH, influenced by hometown heroes the Ohio Players as well as Parliament and other funk groups. Tony was the first to begin recording, with an obscure single for Gram-O-Phon Records, ‘I Truly Love You,’ which scraped the R&B charts in 1976. Joined by his brothers (with Roger on vocals and guitar, Lester on drums, Larry on percussion, and himself contributing bass) and christened Zapp, the group played around the Midwest and gradually picked up backing vocalists (Bobby Glover, Jannetta Boyce), keyboard players (Greg Jackson, Sherman Fleetwood) and a horn section (Eddie Barber, Jerome Derrickson, Mike Warren).
Zapp’s following quickly gained notices, and Bootsy Collins himself was hired on to work with the group on their debut album. Released in 1980, Zapp hit the Top 20 on the pop charts, thanks to the single ‘More Bounce to the Ounce.’ The following year, Roger worked on Funkadelic’s The Electric Spanking of War Babies and released his solo debut album, The Many Facets of Roger. His special cover of ‘I Heard It Through the Grapevine,’ complete with vocoderized talk box, pushed the album into gold territory (as Zapp had done). Zapp II appeared in 1982 and proved just as popular as the group’s first, including Zapp’s only number one R&B single, ‘Dance Floor.’