Everything Music. Everything News. Everything live.

Bush Unleashes Music Video For ‘The Land Of Milk And Honey’

Gavin Rossdale of the band Bush performs Loaded: "The Greatest Hits Tour" at Hard Rock Live, Seminole Hard Rock Hotel & Casino on Aug. 30, 2024 in Hollywood, Florida Bush in concert, Hard Rock Live, Seminole Hard Rock Hotel & Casino, Hollywood, Florida, USA - 30 Aug 2024
Photo by Michele Eve Sandberg/Shutterstock (14681913ac)

British rock band Bush has unveiled their latest single “The Land of Milk and Honey,” leading up to the release of their much-anticipated tenth studio album, “I Beat Loneliness.” Due out on July 18, 2025, via earMUSIC, this album promises to adhere to Bush’s signature sound, compellingly balancing raw emotional weight with thought-provoking social commentary. Frontman Gavin Rossdale helms the production alongside Erik Ron, known for working with Panic! At The Disco and Motionless In White, ensuring a dynamic and thoroughly modern sound. This track follows their preliminary release, “60 Ways to Forget People,” and dives headlong into themes of resistance against societal powers and personal isolation.

“The Land of Milk and Honey,” with its intense lyrics and fervor, is intended to be played at high volume. According to Rossdale, the song aims to liberate and uplift its listeners, an ethos that permeates the new album. The band hopes it resonates during their upcoming North American tour, starting July 19, 2025, with Shinedown, and later dates across Europe with Volbeat. Rossdale describes the track as a “wild ride,” promising it delivers an energetic punch. Its video, directed with the intent to amplify the single’s urgent and poignant message, premiered on June 6 at 10 a.m. ET, further encapsulating the band’s thematic exploration of disillusionment rampant in today’s world.

Bush’s new album, “I Beat Loneliness,” considered a testament to the group’s longevity, continues exploring enduring themes of solitude, mental health, and resilience. Each track contributes to what Rossdale describes as a body of work that confronts human struggles with hope and empowerment. Songs like “Scars” and “We’re All The Same On The Inside” promise to capture a wide array of human experiences and emotions, ensuring that listeners engage with a narrative greater than themselves. Even amidst the backdrop of heavy, grunge-rooted guitars and rhythms, there’s an uplifting quality baked into the compositions, reinforcing messages of optimism.

70 Rolling out during a time when full album appreciation is dwindling amid digital streams and singles, Rossdale assures fans that the breadth of “I Beat Loneliness” stands as a complete work of art. He reflects on the consistent element of melancholia in Bush’s music, asserting its importance for self-reflection and gratitude for positive moments. The album title itself reflects the eternal contradiction of seeking to beat loneliness, offering listeners solace in shared experiences and emotional journeys. Rossdale views the light and hope in their sound as the necessary balance to the heavier discourse on mental health issues rampant in society today.

Bush’s continuous evolution since their debut, “Sixteen Stone,” released in 1994 and achieving six-times-platinum status, is evident in their latest works. Even after a hiatus between 2002 and 2010, the band’s persistence is undeniable, having sold over 24 million records worldwide. Notably, they celebrated their 30th anniversary with a grand tour and a compilation, “Loaded: The Greatest Hits 1994–2023,” which included beloved tracks and rare gems spanning nearly three decades. Their legacy is an expansive testament to the persistent relevance and emotional power of their music.

In a broader sense, Rossdale and the band draw attention to serious issues like youth mental health, exacerbated by events like the COVID-19 pandemic that stunted vital social development for children. Coupled with the distorting effects of social media, Bush’s lyrical focus endeavors to create a dialogue about these modern challenges, instilling a sense of solidarity and resilience through their artistry. As Bush tours and “I Beat Loneliness” gets released, the hope remains for their music to continue inspiring audiences worldwide.

Key Takeaways

Related Stories

Rikki Rockett Explains Why He Waited to Publish Poison Memoir ‘Ghost Notes’

Poison drummer Rikki Rockett says he sat on his memoir ‘Ghost Notes: My Life In Poison’ for years so his late parents wouldn’t be embarrassed by its contents.

Gene Simmons Needs Four Tries to Nail First Pitch at Angels Game with Paul Stanley

Gene Simmons and Paul Stanley took the mound at Angel Stadium on August 15, with Simmons requiring four tries before he was happy with his throw.

Foo Fighters to Open for AC/DC in St. Louis, Stepping In for The Pretty Reckless

Foo Fighters announced they will step away from their Take Cover stadium tour for one night to open AC/DC’s September 8 show in St. Louis, taking over the slot previously held by The Pretty Reckless.

Vivian Campbell Says His Cancer Has Returned After Donor Transplant Failed

Def Leppard guitarist Vivian Campbell says his Hodgkin’s lymphoma has returned after a donor stem cell transplant he received in January 2025 failed to hold, and he is now continuing treatment while staying active with the band, Last In Line and rally driving.

Neil Peart Documentary ‘No One’s Disciple’ Set for TIFF World Premiere

A new documentary on late Rush drummer Neil Peart, ‘No One’s Disciple,’ is set to debut at the Toronto International Film Festival on September 16, 2026, ahead of a CBC broadcast later that month.

Alex Lifeson Says Quitting Marijuana at 72 Sharpened His Focus Before Rush’s Fifty Something Tour

Rush guitarist Alex Lifeson has told Rolling Stone that he gave up marijuana at age 72, roughly four months before the band’s Fifty Something tour kicked off in June, saying the decision sharpened his memory and focus.

Beatles Biopic Cast Recreates Abbey Road Album Cover on Famous Crosswalk

Fan footage shows the stars of Sam Mendes’ upcoming Beatles biopics walking the famous Abbey Road crosswalk in costume, mirroring the band’s 1969 album cover.

Jonathan Cain Teases Possible Journey Reunion at Band’s Final Frontier Tour Finale in San Francisco

Journey keyboardist Jonathan Cain says he’s hopeful for “a reunion of sorts” when the band’s Final Frontier tour closes out in San Francisco on November 28, 2026, even though Steve Perry has denied rumors he might rejoin the group.

Neil Young and the Chrome Hearts to Join Willie Nelson & Family for Two Shows Ahead of Farm Aid 2026

Neil Young and the Chrome Hearts have confirmed two co-headlining performances with Willie Nelson & Family in September, setting up a run into Farm Aid 2026.