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Lorde Drops Final Single to ‘Virgin’ Album

Lorde Met Gala 2025, Superfine: Tailoring Black Style, Arrivals, The Metropolitan Museum of Art, New York, USA - 05 May 2025
Photo by Victoria Jones/Shutterstock (15280326pw)

Lorde, the widely acclaimed New Zealand pop artist, has released her latest single “Hammer” as a prelude to her forthcoming album Virgin. This new track, which will open the album, reflects a blend of urban vitality and sensuality. Lorde describes “Hammer” as “an ode to city life and horniness tbh,” capturing her experiences and perspectives on modern urban existence. Scheduled for release on June 27, Virgin promises to delve into Lorde's personal evolutions, including explorations of gender identity and self-discovery following significant life changes.

The release of “Hammer” is not just another musical offering but represents a pivotal moment in Lorde's discography. The track is co-produced with Jim-E Stack and presents electronic influences reminiscent of a Lady Gaga sound, as noted by commentators drawing parallels to Gaga's “Poker Face”. The music video, directed by Renell Medrano, enhances the song's themes through visuals shot at London's Hampstead Heath, featuring Lorde amidst a cityscape with pigeons, symbolizing her connection to urban life.

Lyrically, “Hammer” echoes themes Lorde has become known for—introspection and resilience. It builds on previous singles released earlier this year, like “What Was That” and “Man of the Year”, which have both received critical acclaim. The former carried an energetic synth-pop vibe, whereas the latter explored themes of Lorde's evolving gender identity. In discussing “Man of the Year”, Lorde has shared her journey toward embracing fluid gender identity, which has been a significant aspect of her narrative in Virgin. The album cover, featuring an X-ray of Lorde’s pelvis with her IUD, starkly reflects the themes of bodily autonomy and feminist triumph that course through the album.

As Lorde gears up for the complete unveiling of Virgin, her strategized rollout through thoughtful singles has amplified anticipation. In April, the album's promotional activities included surprise pop-up performances, such as one in New York’s Washington Square Park for “What Was That”, where an impromptu gathering of fans led to crowd control measures by the police. Such events highlight her unique ability to engage audiences directly and energetically, forging a strong connection with her listeners.

Preceding the album's full release, Lorde has also organized a series of listening parties across Australia and New Zealand. These events, scheduled for late June, promise an intimate preview of Virgin for her dedicated fanbase. The anticipation is further fueled by the artist's transparency in sharing her life experiences that influenced the creation of Virgin. Themes cover Lorde’s relationship with femininity, her breakup, experiences with disordered eating, and quitting birth control, suggesting an album replete with raw, personal narratives.

Moreover, Lorde’s forthcoming “Ultrasound” tour, set to traverse the UK, Europe, and North America later this year, is poised to be a celebration of her newest work. With promises of a masterpiece, Lorde aims to combine the sonic depth of Virgin with the visceral energy of live performance. The tour will feature supporting acts such as The Japanese House, Nilüfer Yanya, and Blood Orange, ensuring that it will be a rich, multi-layered musical experience.

As “Hammer” sets the stage for Virgin, both long-time fans and new listeners can anticipate an album that pushes boundaries and challenges preconceptions. With Virgin, Lorde continues to redefine her musical narrative, emphasizing authenticity and exploration. Each element of the album—from its thematic focus to its evocative soundscapes—reflects a matured artist ready to explore uncharted emotional and musical territories. As its release approaches, Lorde’s Virgin is not just an album, but a personal statement woven into music, poised to impact listeners across diverse emotional spectrums.

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