Everything Music. Everything News. Everything live.

Creator Behind Viral Charli XCX ‘Apple’ Dance Sues Roblox

Charli XCX 67th Annual Grammy Awards, Show, Los Angeles, USA - 02 Feb 2025
Photo by John Salangsang/Shutterstock (15123170rz)

Kelley Heyer’s legal battle against Roblox has drawn attention to the complex intersection of creative rights and digital platforms. At the heart of this legal conflict is the “Apple” dance, a routine choreographed by Heyer and popularized via TikTok, where even celebrities like Charli XCX, the song’s originator, participated. Heyer claims that Roblox unlawfully profited from her dance by incorporating it into the game Dress to Impress without obtaining a duly signed license. Despite purported negotiations between Heyer and Roblox, a final agreement was never reached, leading to the unauthorized use and subsequent monetary gain, estimated at $123,000 through the sale of the dance as an “emote” in the game.

This legal drama isn’t unique in the digital gaming world, where previous cases of dance moves being incorporated into video games without proper licensing have been contested. Notably, Epic Games, the developer behind Fortnite, has faced several lawsuits over similar issues. These lawsuits often highlight the contention over whether simple dance moves can be copyrighted, a debate that has evolved over time. A federal appeals court ruling in 2023 favored acknowledging choreography under copyright laws, potentially setting a precedent that might benefit Heyer’s case against Roblox.

Roblox, on its part, maintains that it has acted within its rights. In their official statement, the company emphasizes its commitment to respecting intellectual property, suggesting confidence in their legal stance and indicating readiness to address the matter in court. This assertion, however, contrasts with Heyer’s contention that their conduct was a clear violation of her proprietary rights, particularly since the discussions over licensing hadn’t been concluded.

Adding complexity to this scenario is Heyer’s past success in legally securing the use of her creation with other major platforms. For instance, she successfully negotiated the licensing of the same dance with Fortnite, demonstrating a notable contrast in how different gaming platforms manage intellectual property and negotiations. This successful licensing further underscores Heyer’s argument that such transactions are feasible and customary within the industry, which arguably amplifies her grievance with Roblox’s handling of her intellectual property.

Public response has been vigorous and diverse. While many users on platforms like TikTok respond with jest and skepticism, questioning the prudence of suing a game beloved by children, there is also a significant discourse regarding the rights of creators in the age of digital media. This discussion is part of a broader narrative concerning the valuation and respect for intellectual creations in an era where platforms can rapidly amplify content beyond its original creative context.

The outcome of this legal battle could have wider implications for how digital platforms approach the use of user-generated content. It raises important questions about the responsibilities of such platforms in recognizing and fairly compensating independent creators whose work drives engagement and revenue. As gaming and social media continue to intertwine, the resolution of this case could influence future interactions between creators and digital giants, potentially setting standards for how creative content is protected and monetized.

Key Takeaways

Related Stories

Penny Lancaster Says Rod Stewart Will Come Back ‘Stronger Than Ever’ After Heart Stent Procedure

Penny Lancaster says her husband Rod Stewart, 81, has “a new lease of life” after undergoing a coronary stent procedure that ended the remaining leg of his 2026 tour.

Sam Smith Regrets Never Answering Tom Petty’s Letter Over ‘Stay With Me’ Dispute

Sam Smith says one of their biggest life regrets is never writing back to Tom Petty after Petty sent them a letter during the 2015 “Stay With Me” songwriting-credit dispute.

Pete Townshend Withdraws From Eric Clapton’s Crossroads Guitar Festival, Cites Health Issues

Pete Townshend has withdrawn from his scheduled appearance at Eric Clapton’s Crossroads Guitar Festival in Austin, Texas, pointing to a foot injury and lingering complications from knee replacement surgery.

Rush Adds Houston, St. Louis, Cincinnati and Pittsburgh to 2026 Fifty Something Tour

Rush has tacked four more US arena shows onto its 2026 Fifty Something reunion tour, with Geddy Lee and Alex Lifeson saying the road has treated them better than expected.

Steve Perry Tribute Singer Hugo Valenti Joins Journey Onstage in Fukuoka, Japan

Journey keyboardist Jonathan Cain brought Steve Perry tribute vocalist Hugo Valenti onstage in Fukuoka, Japan on August 29, 2026, nearly 30 years after Valenti was briefly considered to replace Perry.

Twisted Sister Debuts Sebastian Bach as Frontman at Surprise Bent Brother Show

Twisted Sister, performing under its Bent Brother alter ego, gave former Skid Row singer Sebastian Bach his first show as frontman on August 28, 2026, in Sayreville, New Jersey.

Olivia Rodrigo Headlines Daisy Chain Fields Festival With Stevie Nicks, Alanis Morissette and Sarah McLachlan

Olivia Rodrigo capped the debut of her self-organized Daisy Chain Fields festival with surprise duets alongside Stevie Nicks, Sarah McLachlan and Alanis Morissette, while the one-day event pulled in $20 million for women’s charities.

Judas Priest’s Rob Halford and Ian Hill Back New Steel Wings Foundation Fundraiser for Ukraine

Judas Priest’s Rob Halford and Ian Hill have partnered with Metal Pilgrim’s Steel Wings Foundation on a fresh fundraising drive for Ukraine, with donors entered to win personal items straight from Halford’s own collection.

David Byrne’s ‘Who Is The Sky?’ Tour Becomes 70mm Concert Film Directed by Brady Corbet

David Byrne has confirmed a 70mm concert film built from sold-out Baltimore performances on his ‘Who Is The Sky?’ tour, with ‘The Brutalist’ director Brady Corbet behind the camera and the project now in post-production.