Rod Stewart Shares Bizarre AI Ozzy “Tribute,” See it Here.

Rod Stewart’s recent tribute to the late Ozzy Osbourne during his concerts has sparked widespread controversy and backlash. The tribute, which featured an AI-generated video of Osbourne in heaven taking selfies with deceased music legends, has been criticized as disrespectful and bizarre by fans and media alike. While Stewart intended to honor Osbourne, the execution of the tribute has been met with ridicule, highlighting a significant disconnect between Stewart’s intentions and public reception.

The tribute took place during Stewart’s performances of his 1988 hit “Forever Young,” a song he has dedicated to Osbourne since the singer’s passing on July 22, 2025. The AI video projected on stage depicted Osbourne with a selfie stick among legendary figures like Freddie Mercury, Kurt Cobain, and Amy Winehouse, all set against a backdrop of fluffy heavenly clouds. However, the inclusion of artists like XXXTentacion, who court controversy even after their deaths, added to the discomfort surrounding the tribute. Fans were particularly unsettled seeing Michael Jackson and XXXTentacion featured, two figures whose legacies are complicated by the controversies that surrounded them in life and continue in death.

Notably, Stewart’s timing and choice of tribute have been severely criticized. By choosing AI technology to depict such a sensitive subject, Stewart inadvertently highlighted the ethical dilemmas and potential insensitivities associated with AI-generated content featuring deceased individuals. The inclusion of late artists in these AI-generated scenes was perceived as trivializing their legacies and reducing their contributions and lives to mere digital props. It’s a poignant reminder of the thin line between tribute and tastelessness, especially in the digital age where content can easily be perceived as exploitative rather than respectful.

Critics from various media outlets have also underscored the insensitivity of the situation, noting that Stewart’s remarks post-performance were in poor taste. At a concert in Charlotte, North Carolina, Stewart attempted to lighten the moment by jokingly acknowledging the drug-related deaths of many depicted artists, including Osbourne, by saying, “I’m still here, though!” Such comments were perceived as callous and dismissive of the struggles many of these artists faced. Stewart’s comments highlight an insensitivity to the pervasive issues of addiction and mental health that the music industry grapples with, and they added fuel to the fire of criticism that followed the concerts.

Though some fans have expressed confusion rather than offense, with a few believing the tribute was a heartfelt homage, they are in the minority. Social media feedback was predominantly negative, with users describing the video as “disturbing” and “cringe.” Many users echoed the sentiment that Stewart’s management and advisors should have advised against such a tribute. The backlash emphasizes the ongoing dialogue about using AI to generate representations of individuals who cannot consent and how it intersects with respect and legacy.

This incident offers a broader reflection on the use of AI in creative works and memorials. As AI continues to evolve, the ethical implications of its use in representing deceased individuals become critical areas for public discussion. The technology’s ability to create lifelike depictions poses potential risks of exploitation and raises questions about consent and ownership over one’s likeness after death. Stewart’s attempt to pay homage to Osbourne and other music legends inadvertently highlights the complexities and possible pitfalls of using AI in such contexts.

 

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