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Rolling Stones’ New Song Will Pay Tribute to The King of Zydeco

Ronnie Wood, Mick Jagger, and Keith Richards performs on stage during The Rolling Stones' 'STONES TOUR '24 HACKNEY DIAMONDS' at NRG Stadium on April 28, 2024 in Houston, Texas. Rolling Stones in concert, Houston, Texas, USA - 28 Apr 2024
Photo by Suzanne Cordeiro/Shutterstock (14455267aw)

Renowned for their distinctive sound and influence in rock music, The Rolling Stones have embraced another layer of musical depth by paying homage to zydeco legend Clifton Chenier. Known as the “King of Zydeco,” Chenier's music, characterized by its dynamic accordion riffs and Creole roots, was a pioneering force in the genre. This tribute by The Rolling Stones is not merely a musical project; it represents the band's acknowledgement of their musical roots and influences. According to Mick Jagger, the band first encountered Chenier's music in the 1960s, and it had a significant impact on them. Chenier's music resonated with the band, particularly for Jagger, who found the way Chenier adapted blues numbers to his style to be inspiring.

The tribute album, aptly titled “A Tribute to the King of Zydeco,” commemorates the centennial of Chenier's birth on June 25, 1925. Released under Joel Savoy's Valcour Records, the 14-track album features an ensemble of iconic musicians bridging rock, folk, and blues with zydeco rhythms. In addition to The Rolling Stones, the album includes performances by Lucinda Williams, Steve Earle, and others who have been influenced by Chenier's work. One standout aspect of the album is the involvement of Chenier’s son, CJ Chenier, continuing his father's legacy through collaborations with contemporary musicians. The album's production was a collaborative effort, spearheaded by Joel Savoy and Steve Berlin of Los Lobos, highlighting the collective respect these artists have for Chenier's contributions to music.

Localized in its celebration, the album features accordionists and musicians from zydeco legacy families, underscoring the lasting impact of Chenier's work in the American music scene. This is not merely a celebration of Chenier's music; it is a reconnection with the historical and cultural roots of zydeco, embodying an educational element that aims to preserve the genre's heritage. Savoy emphasizes that, much like how Muddy Waters defined electric blues, Chenier's work characterized the zydeco sound, adding a unique beat to the cultural soundtrack of the South.

The album's proceeds are allocated to a scholarship at the University of Louisiana at Lafayette, reinforcing the project's aim to sustain Chenier's influence by supporting students studying the traditional zydeco accordion. This move not only honors Clifton Chenier's legacy but also looks towards the future, ensuring that the art form continues to flourish.

The Rolling Stones’ new song “Zydeco Sont Pas Salés,” featuring Grammy winner Steve Riley, is particularly significant for what it represents—past and present musical dialogue. Jagger’s engagement in singing Creole lyrics brings dimension to the tribute, showcasing The Rolling Stones' deep connection to Chenier's influence and their ability to transcend their primary genre by embracing a multicultural and multilingual approach.

The tribute is more than a musical album; it's a narrative woven with history and respect. With deep roots in the cultural fabric of the American South, the album brings forth the story of how zydeco's lively spirit found a place in the heart of global rock and roll. From the vibrant zydeco dance halls to international rock stages, Chenier's impact is palpable, as illustrated by this high-profile homage led by The Rolling Stones.

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