Everything Music. Everything News. Everything live.

Spinal Tap II Review Roundup: What Critics Are Saying About The End Continues

Photo from Bleecker Street

Early reviews for Spinal Tap II: The End Continues are mixed to warmly positive. Many critics say it is affectionate, funny in spots, and fueled by nostalgia, while others think it cannot touch the cutting edge of the 1984 original. Cameos land for some and feel indulgent for others. Release is set for September 12, 2025 in the U.S., with a brisk ~83–84 minute runtime.


At a Glance

  • Rotten Tomatoes: Early critics score hovering in the low-to-mid 70s as of September 11, 2025 (PT).

  • Metacritic: Mixed or average, around 57 based on early critic reviews.

  • U.S. Theatrical Release: September 12, 2025. Runtime: about 1h 23m. Rating: R.

  • Who’s Back: Christopher Guest, Michael McKean, Harry Shearer, with Rob Reiner as Marty Di Bergi. Select music-legend cameos include Paul McCartney and Elton John.


Review Highlights

Positive-to-lean-positive

  • The Guardian (4/5): Finds “pin-sharp laughs and melancholy,” praising the way the sequel winks at aging rock mythology, with a standout Stonehenge gag and a Springsteen joke. Notes some forced beats but says the band’s musicianship and chemistry still shine.

  • Financial Times (★★★☆☆): Calls it a “respectable follow-up” that balances affectionate absurdity with updated cultural riffs, even if it cannot match the original’s brilliance.

  • Variety (Peter Debruge): A cheeky send-off that plays like a greatest-hits set of past laughs, buoyed by live performance energy and marquee cameos, not revolutionary but respectful of the original.

  • TIME: Says the sequel mostly builds on the legacy rather than coasting on it, following a reluctant reunion setup that feels true to the characters.

Mixed-to-negative

  • Washington Post: Critiques the humor as tepid and the satire as dulled by decades of mockumentaries since 1984, reading the film more as nostalgic homage than sharp parody.

  • The Telegraph: Advises dialing down expectations, arguing it does not come close to the original’s comic genius, despite flashes of inspiration.

  • The Independent: Labels it “startlingly unfunny,” suggesting cameos crowd out fresher ideas.

  • ScreenCrush: Sees a “play the hits” vibe that will satisfy fans without reaching the old peak.


Where Critics Agree

  • Nostalgia is the engine. Most reviews say the movie works best as a reunion concert of jokes, songs, and personas that longtime fans already love.

  • The original is untouchable. Few expect innovation on par with 1984’s genre-defining mockumentary, and most note the sequel does not try to reinvent the wheel.

  • Aging rock star humor lands. The “older and slightly wiser” Tap dynamic, plus music-industry ribbing, provides sturdy laughs, even when not uproarious.


Where Opinions Diverge

  • Cameos and callbacks: Some praise the restraint and timing of appearances, others think big-name moments crowd out new material.

  • How funny is it, really? Warm chuckles vs. consistent guffaws is the dividing line. Supporters cite amiable charm; detractors wanted sharper satire.


Release, Availability, and Tie-ins

  • In theaters only at launch. No immediate Netflix or Prime streaming at release; digital/streaming windows are TBD.

  • Soundtrack and book tie-ins: Alongside the film, Tap are delivering new music and a behind-the-scenes book chronicling both films’ making.


Should You See It?

If you loved This Is Spinal Tap and want a fond reunion with Nigel, David, and Derek, the consensus says you will find enough to enjoy. If you want a sequel that redefines the mockumentary form, critics suggest tempering expectations.

Key Takeaways

Related Stories

John Anderson, ‘Swingin” and ‘Seminole Wind’ Singer, Dies at 71

John Anderson, the Country Music Hall of Fame singer behind “Swingin'” and “Seminole Wind,” has died at age 71, only days after taking part in Nashville’s 2026 Medallion Ceremony.

Judas Priest Locks In First Confirmed 2027 US Tour Date at Boardwalk Rock

Judas Priest has confirmed its first US concert of 2027, a slot on the Iron Maiden-headlined Sunday bill at the Boardwalk Rock festival in Ocean City, Maryland.

Robert Plant Opens Up on Son Karac’s 1977 Death and His Quiet Life Today

In a new Sunday Times interview, Robert Plant describes how the 1977 death of his five-year-old son Karac altered his attachment to Led Zeppelin, and shares details of his present-day life in a small Worcestershire village.

Bon Jovi Extends 2027 Stadium Dates, Expanding Forever Tour to Australia, UK and North America

Bon Jovi is expanding its Forever Tour with seven new 2027 stadium shows spanning Australia, the UK and North America, building on sold-out dates at Madison Square Garden and Wembley Stadium earlier this year.

Motley Crue Sets 2027 ‘Carnival of Sins in Sin City’ Residency at Caesars Palace

Motley Crue has unveiled an eight-show Las Vegas residency, ‘Carnival of Sins in Sin City,’ set for The Colosseum at Caesars Palace from March 19 to April 3, 2027.

Led Zeppelin Lets ‘Stairway to Heaven’ Soundtrack a Movie Trailer for the First Time, for Greta Gerwig’s Narnia Film

Led Zeppelin has granted permission for ‘Stairway to Heaven’ to appear in a film for the first time, backing the debut trailer for Greta Gerwig’s Narnia: The Magician’s Nephew.

Cheap Trick 2027 Concert Dates Announced

Cheap Trick has booked its first three concert dates for 2027, set for February and April, as the band’s ongoing All Washed Up Tour continues through the fall of 2026.

Judas Priest’s Ian Hill Retires After 57 Years, Longest-Serving Member

Judas Priest founding bassist Ian Hill has stepped away from the band after 57 years, citing worsening arthritis and a torn shoulder tendon, with Uriah Heep’s Davey Rimmer set to take his place on bass starting with the band’s 2027 touring.

James Hetfield Tells Sphere Crowd Metallica Won’t Push a Political Agenda

James Hetfield addressed the Las Vegas Sphere crowd on October 10, 2026, drawing a line between Metallica and other entertainers who use their platforms for political messaging.