Ann Wilson and Tripsitter Announce ‘Consecrated Ground,’ Fall Tour Dates

The Heart vocalist’s second album with Tripsitter arrives August 14, backed by a 15-date North American run.

Ann Wilson has announced Consecrated Ground, the second album from her collaborative project with Tripsitter, due August 14. The nine-track follow-up to 2023’s Another Door is described as a fearless collection blending heavy rock, psychedelia, blues, and raw emotional storytelling. Wilson and the band have also confirmed a 15-date North American fall tour, with dates running from September through October.

Consecrated Ground: Tracklist and First Single

Consecrated Ground arrives as Wilson’s second studio effort with Tripsitter, building on the foundation laid by Another Door two years ago. The album’s lead single, I Will Not Be Coming Back, is also the opening track, giving listeners an early indication of the record’s tone and direction.

The full nine-track listing:

• I Will Not Be Coming Back
• Bone Pain
• Me And Comanche
• Hard Fought
• Ruby Rosé (Lady Of The Night)
• Hot Foot
• Dissonance
• Renaissance Kids
• Reverse Chaos

A Prolific 2026 for Wilson

The album announcement is one piece of a notably active year for Wilson. She has launched a podcast, After Dinner Thinks, and is collaborating with filmmaker Barbara Hall on an upcoming documentary titled In My Voice. The film, narrated by Wilson herself, traces her journey from childhood through her years with Heart, drawing on home movies, photographs, journals, and previously unseen footage.

“This film is my story in my own words, told the way I’ve always wanted to tell it,” Wilson said. “It’s about finding my voice, keeping it alive, and sharing the journey with the people who’ve been part of it all along.”

Fall 2026 North American Tour Dates

Wilson and Tripsitter will support the album with a run of theater and mid-size venue dates across the eastern half of North America, beginning in Florida in mid-September:

• Sep 11 — Sharon L. Morse Performing Arts Center, The Villages, FL
• Sep 13 — Thrasher-Horne Center, Orange Park, FL
• Sep 15 — Reynolds Performance Hall, Conway, AR
• Sep 17 — Apache Casino Hotel, Lawton, OK
• Sep 19 — Hard Rock Live, Catoosa, OK
• Sep 22 — Southern Kentucky Performing Arts Center, Bowling Green, KY
• Sep 24 — Montgomery Performing Arts Center, Montgomery, AL
• Sep 26 — The Alabama Theatre, North Myrtle Beach, SC
• Sep 28 — The Paramount Theater, Charlottesville, VA
• Sep 30 — Struthers Library Theatre, Warren, PA
• Oct 02 — Wind Creek Event Center, Bethlehem, PA
• Oct 04 — Patchogue Theatre, Patchogue, NY
• Oct 06 — The Flynn, Burlington, VT
• Oct 07 — Tupelo Music Hall, Derry, NH
• Oct 09 — The Ridgefield Playhouse, Ridgefield, CT

What we know

• Consecrated Ground is the second album from Ann Wilson and Tripsitter, following 2023’s Another Door.
• The album is scheduled for release on August 14.
• The record contains nine tracks and is described as blending heavy rock, psychedelia, blues, and raw emotional storytelling.
• I Will Not Be Coming Back has been released as the album’s first single and is also the opening track.
• Wilson has launched a podcast called After Dinner Thinks in 2026.
• Wilson is collaborating with filmmaker Barbara Hall on a documentary called In My Voice, which Wilson narrates and which draws from her home movies, photographs, journals, and previously unseen footage from her Heart years.
• The fall tour runs from September 11 through October 9, covering 15 dates across the United States.

The take

Ann Wilson’s post-Heart creative output has been one of the more quietly compelling stories in classic rock over the past several years. Her voice, even after the health challenges she has spoken about publicly, remains a singular instrument, and the Tripsitter project has given her a vehicle that sits well outside the arena-rock expectations that follow the Heart name. The genre description attached to Consecrated Ground, blending heavy rock, psychedelia, and blues, tracks with where Another Door landed: rootsy, unpolished in the best sense, and unburdened by legacy pressure. That freedom is increasingly rare for artists of her stature. The documentary In My Voice adds another dimension to what is shaping up as a genuine creative renaissance. Legacy documentaries have become a standard part of the classic rock ecosystem, but the detail that Wilson is narrating her own story from personal archives and journals suggests something more intimate than the standard career retrospective. The theater-circuit routing of the fall tour is also worth noting. These are 1,000-to-3,000-seat rooms, the kind of venues that reward a performance-focused show over spectacle. For an artist whose voice is the entire point, that scale is exactly right.

Why it matters

For classic rock fans, Wilson’s continued output as a solo artist and collaborator matters because it demonstrates that the most distinctive voices of the 1970s and 1980s can still generate genuinely new work rather than coasting on catalog. Consecrated Ground and the In My Voice documentary together represent a dual creative statement: Wilson is actively shaping her own narrative, on record and on screen, rather than letting legacy define her. That combination of new music, a personal documentary, and a podcast signals an artist fully engaged with the present.

What’s next

Consecrated Ground is due August 14. The supporting North American tour opens September 11 at the Sharon L. Morse Performing Arts Center in The Villages, Florida, and runs through October 9 at The Ridgefield Playhouse in Ridgefield, Connecticut. The documentary In My Voice, made with filmmaker Barbara Hall, is also forthcoming, though no release date has been announced.

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